'Here is a revolver. The six barrels are all loaded. It would not need
them all to blow out my brains--that is, if I have any to blow. Here
is a bottle of hydrocyanic acid. What lies I had to tell to get it;
what tricks I had to play! There is enough in this little bottle to
kill the whole street. I have, therefore, the keys of death close to
my hand--painless, instant death. Three roads to eternal sleep, and I
stand so much in need of rest. Yet I hesitate to use them. It is very
funny. Is it because I am going mad--I did not use to be infirm of
purpose--I wonder?'
She handled, one after another, the three objects--the razor, the
revolver, the little bottle--as if endeavouring to make a selection.
'I am too optimistic. There is my fault--I always hope. It is an
error. I have always had in my life such evil fortune that, when
happiness came, I should have known it would not endure--that the
night would be blacker because the sun once shone; that for me,
henceforward, it would be always night. I was a fool; so happy I
forgot, so I pay for it. Well, I will take my fate into my own hands
and make an ending when I choose. I should have liked to see the
little one--my little one.' A softness came into the voice of which
one might hardly have thought it capable. 'To have held it in my arms;
to press it to my breast; to touch its lips with mine. I should,
indeed, have liked to be a mother. Yet better not; it might have been
like its father. That would have been the worst of all. Which is it to
be--steel? lead? a little drink? Why is it I cannot decide? What's
that?'
She had Miss Bewicke's dainty drawing-room to herself. An incongruous
object she seemed in it, she and her gruesome playthings. A sound
appeared to have caught her ear. She put her right hand behind her
back; in it, the three assistants of death. Moving to a door which was
on the opposite side of the room, turning the handle softly, she
passed half-way through it, then stood and listened.
'Quite still, yet. The noise did not come from there. There was a
noise. Ah!'
The interjection was in response to a rat-tat-tat on the knocker. The
room was illuminated by a dozen electric lights. Disconnecting one
after the other, she allowed but a single one to remain alight.
Comparatively, the apartment was in darkness.
'That's not Ellen's knock, nor Jane's; she is not already back again.
Besides, she also does not knock like that. Who is it?'
The knocking came again--slightly, more insistently than before.
'If it is some bothering visitors, they will have a short answer, I
promise them. When I do not open, why do they not take a hint and go?
I am not to be disturbed when I am making my arrangements to remain
undisturbed for ever.'
The knocking was repeated for a third time.
'So, they persist! Well, I will show them. They shall see.'
Public-domain text, read in full here on John Shaqi.
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