Apocalyptic fiction; Conflict of generations -- Fiction; Older men -- Fiction; Science fiction; Short stories
A flare of horrid light exploded over the warehouse down river and it
lit up Cartley's face and turned it a shimmering crimson. His hands
widened to perfect roundness and he raised his hands in a voiceless
scream to stop the sudden explosions of burp guns, grenades, machine
guns, and rifles.
Looking down river then, Sal could see the flames eating up through the
warehouse. The pier, the barge, everything for a hundred square yards
was lit up as bright as day, and the flare spread out over the river
and made a black ominous shadow of the opposite bank.
"They're getting away," Cartley said.
Sal watched the barge move out. The Children came screaming out of the
blazing warehouse, overran the pier, streamed into the water. But a
steady blast of fire from the barge drove them back, and in a few more
minutes the barge dissolved downriver into darkness.
Cartley's hands were shaking as he gripped Sal's arm. "Let's go now. We
need time. Time may help us a lot, Sal. We can wait and watch. We can
figure something out."
Sal heard the screams and mocking savage cries coming up over the
water, and then the jagged cries of some oldsters who hadn't managed to
get away.
Still looking downstream toward the blazing pier, Sal pushed Cartley
into the rowboat, and they shoved off. Sal started rowing, but he kept
looking back.
"They should have put them in the same shelters with us," Sal said,
"that would have made a difference. But they put us in separate
shelters."
Only the oldest and the youngest had been saved. The old out of
pity and because they were helpless, had been granted the safety of
shelters. The young because they were the symbols of hope had been
granted shelters, too.
"No," Cartley said. "It started long before that. The chasm was
building up long before the war. This alienation between the young and
the old. Between the sun and the seed. That's what we've got to bring
back, Sal. Between us, we have stored up a hundred and seventy-nine
years of human culture. There isn't a kid back there, Sal, more than
twelve years old."
"We'll find a way," Sal said.
The rowboat was about fifteen feet away from the thick reeds growing in
the marshy ooze of the bank.
Cartley heard the sound first and turned, his face white. When Sal
looked toward the bank, he saw the girl. She came on out from the
curtain of reeds and looked at them. She was perfectly clear in the
moonlight standing there. She wore a short ragged print dress and she
had long hair that seemed silken and soft and golden in the moonlight
even though it, her dress, her little legs and her face were streaked
with mud.
Sal hesitated, then pulled heavily on his left oar and the boat nosed
toward her. Up close, Sal could see her face, the clear blue eyes wet,
and the tears running down her cheeks.
The girl reached out and asked in a sobbing breath,
"Granpa? Is that you, Granpa?"
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account