The Chautauquan, Vol. 03, May 1883Chautauqua Literary and Scientific Circle
History
The Chautauquan, Vol. 03, May 1883
Chautauqua Literary and Scientific Circle
Chautauqua Institution -- Periodicals; Chautauqua Literary and Scientific Circle -- Periodicals
The great statue of Liberty is affording the committee some trouble.
They have eighty thousand dollars with which to commence the erection
of the pedestal, but no engineer has been found willing to undertake
the work. The statue weighs about eighty tons, and presents an enormous
surface to the wind, while its pedestal is not large. How to secure
it becomes a problem. The _American Architect_ gives a method used in
Japan for securing the light pagoda towers. A pendulum is hung from the
top of the tower, and reaches nearly to the floor. This method was used
by Sir Christopher Wren in securing the spire of Salisbury Cathedral, a
heavy wooden framework being suspended, free to swing in any direction.
The _Architect_ advises a trial of this plan for the statue.
* * * * *
Julian Hawthorne has recently given us three inscriptions for the
modern novelists. They will be useful to many others. Here they are:
“Be cultured. Be cultured, ever more be cultured. Be not too cultured.”
* * * * *
The Vanderbilt ball is said to have cost twice the amount that the city
of Moscow has devoted to the coronation of the czar. It is not pleasant
to reflect that the most prominent feature in American social life is
extravagance. “Extravagance” and “folly” would have been proper words
inscribed over the Vanderbilt doorways that night.
* * * * *
In July the new postal order will take the place of the expensive and
inconvenient money order, while in September we will be allowed to send
a letter for two cents which now costs us three.
* * * * *
Perhaps no recent story has caused more comment among the young than
Mrs. Burnett’s “Through One Administration,” recently finished in _The
Century_. The story follows the modern plan of leaving hero and heroine
in a hopeless, helpless state, and to all appearances perpetually
so. There can be no question about both the artistic and moral value
of such a _finale_. It is inartistic because unfinished; immoral in
influence because it leaves the impression that the great end of life
is human love, and that lost, all is lost. We contend that the story
is incomplete. The whole plan of life, the teaching of individual and
national history, is that one thing taken from life another will be
found to fill the want. To teach through the medium of the novel, and
especially a novel so well written and captivating as Mrs. Burnett’s
always are, that the end is misery, is a wrong to the young, and an
argument against the school of novelists to which this writer belongs.
* * * * *
Public-domain text, read in full here on John Shaqi.
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