The Chautauquan, Vol. 04, April 1884, No. 7Chautauqua Literary and Scientific Circle
Religion
The Chautauquan, Vol. 04, April 1884, No. 7
Chautauqua Literary and Scientific Circle
Chautauqua Institution -- Periodicals; Chautauqua Literary and Scientific Circle -- Periodicals
Between the “Legend of Montrose” and “Woodstock” stands a scaffold: a
window is opened in the Palace of Whitehall; a brave but fickle king, who
never lost his dignity, and rarely kept a promise, walks forth attended
by two executioners: he speaks but one word to his attendant, places his
head upon the block, and by the bravery of his death half atones for the
crimes and mistakes of his life. As to his private character historians,
for the most part, regard Charles the First as a brave, virtuous and
religious man; but he entertained “extravagant ideas of the royal power,
unsuitable to the time in which he lived.” His attempt to establish a
National Church, to force upon the Presbyterians of Scotland the Common
Prayer, and introduce a Liturgy similar to that used in England produced
its logical result. The Star Chamber with its arbitrary arrests and
punishments, and his idea of kingly prerogative, were not suited to
the temper of his people; and finally he alienated his best friends by
disregarding his word and most solemn contracts. The House of Commons,
led by bold and determined men, asserted the supreme doctrine of liberty,
so grandly emphasized one hundred years later in our Declaration of
Independence, that “The power of the king, like any other power in the
Constitution, was limited by the laws; and was liable to be legally
resisted when it trespassed beyond them.”
It must also be remembered, before we read the story of “Woodstock,” that
the party which controlled the Parliament of England and finally brought
the king to the scaffold, was divided into two factions: Presbyterians
and Independents. Among the Independents were Sir Harry Vane, John Milton
and Oliver Cromwell. So much for the introduction to “Woodstock,” which
opens with a picture showing the cavaliers crushed under the iron heel
of Cromwell. The time of the tale is 1652; and the story begins with
a rather discordant service in the church or chapel of St. John. The
defaced walls and broken windows reveal the fanaticism or spite which too
often attends the spirit of liberty. We are presented with a rude scuffle
between a Presbyterian and Independent preacher in a pulpit formerly
belonging to the Established Church, in which the Independent preacher
wins the victory; and the chapter is symbolic of the great struggle, not
only in the religious, but also in the political condition of Britain.
The incident is a fitting preface to the book, in which Independent,
Presbyterian and Royalist are shaken together as in a kaleidoscope.
Public-domain text, read in full here on John Shaqi.
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