The Chautauquan, Vol. 04, January 1884: A Monthly Magazine Devoted to the Promotion of True Culture.; Organ of the Chautauqua Literary and Scientific Circle. — John Shaqi
The Chautauquan, Vol. 04, January 1884: A Monthly Magazine Devoted to the Promotion of True Culture.; Organ of the Chautauqua Literary and Scientific Circle.Chautauqua Literary and Scientific Circle
History
The Chautauquan, Vol. 04, January 1884: A Monthly Magazine Devoted to the Promotion of True Culture.; Organ of the Chautauqua Literary and Scientific Circle.
Chautauqua Literary and Scientific Circle
Chautauqua Institution -- Periodicals; Chautauqua Literary and Scientific Circle -- Periodicals
When Adolphus of Nassau captured Mayence in 1462, the workmen skilled
in the art, which had been kept a secret, were scattered through the
world; and by the end of the fifteenth century the principal nations of
Europe, and especially Italy, France, and England, had become rivals
of Germany in prosecuting it. Books had previously been transcribed,
chiefly by monks, upon expensive parchment, and often beautifully
ornamented with elaborate drawings and paintings. They had therefore
been an article of luxury, and confined to the rich. But a book printed
on paper was easily made accessible to all classes, for copies were
so numerous that each could be sold at a low price. Beside books of
devotion, the writings of the Greek and Latin poets, historians and
philosophers, most of which had fallen into oblivion during the Middle
Ages, now gradually obtained wide circulation. After the fall of
Constantinople, and the subjugation of Greece by the Turks, fugitive
Greeks brought the works of their forefathers’ genius to Italy, where
enlightened men had already begun to study them. This branch of
learning, called “the Humanities,” spread from Italy through Germany,
France, England, and other countries, and contributed powerfully to
produce a finer taste and more intelligent habits of thought, such
as put to shame the rude ignorance of the monks. It was the art of
printing that broke down the slavery in which the blind faith of the
church held the human mind; and even the censorship which Rome set up
to oppose it was not able to undo its work.
Just as the convents fell before the art of printing, so did the
castles of the robber knights before the invention of gunpowder. Thus,
at the coming of the Reformation, these degenerate remnants of the
once noble institutions of knighthood were swept away. It is supposed
by many that the knowledge of gunpowder was brought into Europe from
China during the great Mongolian emigration of the thirteenth century,
the Chinese having long possessed it. The Arabs, too, understood how
to make explosive powder, by mixing saltpeter, charcoal, and sulphur.
But all the Eastern makers produced only the fine powder, and the
art of making it in grains seems to have been the device of Berthold
Schwarz, a German monk of the Franciscan order, of Freiburg or Mayence,
in 1354; and he is commonly called the inventor of gunpowder. He had
a laboratory, in which he devoted himself to alchemy; and is said to
have made his discovery by accident. But as early as 1346, a chronicle
reports that there was at Aix “an iron barrel to shoot thunder;” and
in 1356 the armory at Nuremberg contained guns of iron and copper,
which threw missiles of stone and lead. One of the earliest instances
in which cannon are known to have been effectively used in a great
battle was at Agincourt in 1415. But gunpowder was long regarded
with abhorrence by the people, and made its way into general use but
slowly.[B]
MARTIN LUTHER.
Public-domain text, read in full here on John Shaqi.
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