“Frieze,” freez. The broad band resting upon the columns of a porch is called the entablature. It is divided into three portions; the central one is the frieze. P. 75, c. 2.—“Ageladas,” ag´e-la=´=das. _Not Argeladas._ “Myron.” A Bœotian, born about 480 B. C. His master-pieces were all in bronze. The “quoit-player” and the “cow” are most famous. Myron excelled in animals and figures in action. “Canachus,” can´a-chus. (B. C. 540-508.) He executed the colossal statue of Apollo at Miletus, was skilled in casting bronze, in gold and silver, and in wood carving. “Callon,” cal´lon. (B. C. 516.) “Onatus,” o-na´tus. (B. C. 460.) “Hegias,” he´gi-as; “Critius,” cri´ti-us. “Calamis,” cal´a-mis. (B. C. 467-429.) He worked in marble, gold and ivory. His horses are said to have been unsurpassable, and his heroic female figures superior to those of his predecessors. “Pythagoras.” Lived about 470 in Magna Græcia. He executed life-like figures in bronze. “Lemnians,” lem´ni-ans. “Paris.” At a certain wedding feast to which all the gods had been invited except the goddess of Strife, she, angry at the slight, threw an apple into their midst with the inscription “to the fairest.” Juno, Minerva and Venus claimed it, and Jupiter ordered that Paris, then a shepherd on Mount Ida, should decide the dispute. As Venus promised him the most beautiful of women for his wife, he gave her the apple. P. 76, c. 1.—“Pellene,” pel-le´ne. A city of Achaia. “Rochette,” ro´shĕt=´=. (1790-1854.) A French archæologist. “Alcamenes,” al-cam´e-nes. (B.C. 444-400.) His greatest work was a statue of Venus. “Agoracritus,” ag´o-rac=´=ri-tus. (B. C. 440-428.) His most famous work was also a Venus, which he changed into a statue of Nemesis and sold because the people of Athens preferred the statue of Alcamenes. “Pæonius,” pæ-o´ni-us. “Pediment.” The triangular facing or top over a portico, window, gate, etc. “Metope,” met´o-pe. In the Doric style of architecture, the frieze was divided at intervals by ornaments called triglyphs. The spaces between these ornaments were called metopes. “Cella.” The interior space of a temple. “Phigalia,” phi-ga´li-a. “Niké-Apteros.” The wingless goddess of victory. Wingless, to signify that the prayer of the Athenians was that victory might never leave their city. “Scopas,” sco´pas. (395-350.) An architect and statuary, as well as sculptor. He was the architect of the temple of Minerva at Tegea, and assisted in the bas-reliefs of the mausoleum at Halicarnassus. The famous group of Niobe and her children is supposed to have been the work of Scopas. “Praxiteles,” prax-it´e-les. Born at Athens B. C. 392. He worked in both marble and bronze. About fifty different works by him are mentioned. First in fame stands the Cnidian Venus, “one of the most famous art creations of antiquity.” Apollo as the lizard-killer, his faun and a representation of Eros are probably best-known. “Nereid,” nē´re-id. A sea nymph.