The Chautauquan, Vol. 05, January 1885, No. 4 — John Shaqi
The Chautauquan, Vol. 05, January 1885, No. 4Chautauqua Literary and Scientific Circle
Religion
The Chautauquan, Vol. 05, January 1885, No. 4
Chautauqua Literary and Scientific Circle
Chautauqua Institution -- Periodicals; Chautauqua Literary and Scientific Circle -- Periodicals
The well-ordered home, under the guardianship of the virgin goddess,
herself pure as the bright flame that was her symbol, is the secure
abode of happiness as complete as mortals know. For the maintenance of
its purity and peace the most solemn vows were made and the tutelary[3]
goddess invoked to avenge the injured and reward the faithful. For those
without, the hearth itself was a sacred shrine before which suppliants,
if danger threatened, sought not in vain protection from the inhabitants
of the house. And, as the state is an extended family, embracing all the
domestic organizations in its domain, Hestia, protectress of the home
circle, regards also the interest and safety of every civil community.
So, thoughtful men of upright character, their statesmen and wise
senators, did not hesitate to carry the religion of their homes into
political matters that engaged their best endeavors.
In the Greek states the senate house, or department of the governing
body, was solemnly dedicated to Hestia, and in it they built her an
altar, on which fire was kept ever burning. That the daily sacrifice
might not be wanting, or that sacred fire ever become extinct, it was
assiduously guarded by vestal[4] virgins, whose negligence would be
severely punished.
The name Hestia is not only very sacred, but has a stem or root meaning
that indicates the fixed abiding position of her altar in the room where
the family dwelt, or the senators met for business.
HERMES (MERCURY). For the accredited pedigree, characteristics, and
exploits of this sly deity—things of much interest to students of the
old mythology—we are mostly indebted to Homer and his imitators, the
Rhapsodists, some of whose productions were accepted as Homeric. He was
the reputed son of Zeus and the mountain nymph Maia, and born in a cave,
or grotto, on Mount Cyllene,[5] in Arcadia. The so-called “Homeric Hymn,”
assuming cunning and dexterity as his principal characteristics, tells
in a way to interest the reader, with what amazing capacity his powers
developed. Having such a father, and his mother a daughter of Atlas, he
grew as none but gods can, almost instantly revealing his divine powers.
Only a few hours after his birth he sprung from his mother’s arms, or
from the cradle where he lay, already planning an expedition of vast
proportions, and escaped from the grotto to at once execute his purpose.
On the way he met a beautiful tortoise that he killed, and extracting the
carcass from the shell, stretched resonant cords across the cavity, and
thus made him a harp on which he played most skilfully. The same day he
hurried off to Pieria, where he stole fifty kine from the herd of Apollo,
and undertook to drive them to the grotto of his mother. Fearing that the
theft, so adroitly accomplished, might be detected by their tracks in
the sand, he managed to drive them in such circuitous paths that, where
most exposed to observation, the tracks showed them to be going toward
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