The Chautauquan, Vol. 05, January 1885, No. 4 — John Shaqi
The Chautauquan, Vol. 05, January 1885, No. 4Chautauqua Literary and Scientific Circle
Religion
The Chautauquan, Vol. 05, January 1885, No. 4
Chautauqua Literary and Scientific Circle
Chautauqua Institution -- Periodicals; Chautauqua Literary and Scientific Circle -- Periodicals
Zeus admonished the contestants to be friends, but with a significant
nod, the suit was decided in Apollo’s favor, and the brothers sent in
quest of the missing kine. The miscreant led the way, and when the cattle
were brought out of the cave, Apollo missed two, and was surprised to
find their hides stretched on a rock to dry—more so, that when attempting
to drive the others away their feet were found fastened in the earth.
Again he seized the offender for punishment, but he in the emergency,
thought of his lyre, and touching its chords, called forth music so sweet
and soothing that Apollo, forgetting his anger, coveted the instrument
and besought the musician to teach him his wondrous art. “Take it,” said
he, “since you are wise, and will know how to use it well, but if touched
by those unskilled in the divine art, it will utter strange nonsense,
making uncertain, discordant moanings.” Delighted with his acquisition,
Apollo gave his brother a magic wand, by which he could confer happiness
on whom he would; and, henceforth, they dwelt together in great harmony
and love, the honored sons of a common father.
Interpreting this myth one says, “while Apollo represents the genial
sunshine, Hermes, as a power of nature, is the rain—rain and sunshine
being both from the great God of heaven, or, in the language of
mythologists, his sons. They are both beneficent and have many things so
similar as to indicate a common origin.”
In the process of time their conceptions of the younger brother seem to
have undergone some change, or possibly the different shades of opinion
may indicate the places rather than the times in which they prevailed.
To those who regarded him as sending the fertilizing rain, and thus the
dispenser of manifold gifts, he also, and naturally, represented the
wind that “bloweth where it listeth,” and carries the clouds about on
their mission. This idea of personification may account for some things
in their legends that otherwise seem inexplicable. Helpless infancy, in
a very few hours leaving the cradle and performing exploits the most
astonishing, has its parallel in the wind, which, at first only gentle
zephyrs whispering softly, soon may freshen to a gale, and in an hour
sweep over the earth with a force that defies resistance; and when people
make inquest for the mischief done they hear but the mocking laugh as it
hastens on, and the calm after a squall is like the quiet return of the
adventurous god to the cave and cradle that were left for the exploits
of that eventful day. Then the clouds of various shape and color that
are seen grouped above the horizon, or scattered over the vast field of
the sky, were, to a vivid imagination, the herd of Phœbus, who watches
over them. When the rising wind, represented by Hermes’ leaving the cave,
carries them away, a stupendous theft has been committed.
Public-domain text, read in full here on John Shaqi.
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