The Child and Childhood in Folk-Thought: Studies of the Activities and Influences of the Child Among Primitive Peoples, Their Analogues and Survivals in the Civilization of To-DayChamberlain, Alexander Francis
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The Child and Childhood in Folk-Thought: Studies of the Activities and Influences of the Child Among Primitive Peoples, Their Analogues and Survivals in the Civilization of To-Day
Chamberlain, Alexander Francis
Child rearing; Children -- Folklore; Folklore and children
More details of girl-life among savage and primitive peoples are to be
found in the pages of Professor Mason (113. 207-211). In America, the
education varied from what the little girl could pick up at her mother's
side between her third and thirteenth years, to the more elaborate
system of instruction in ancient Mexico, where, "annexed to the temples
were large buildings used as seminaries for girls, a sort of aboriginal
Wellesley or Vassar" (113 208).
_Games and Plays._
In the multifarious games of children, echoes, imitations, re-renderings
of the sober life of their elders and of their ancestors of the long ago,
recur again and again. The numerous love games, which Mr. Newell
(313. 39-62) and Miss Gomme (243) enumerate, such as "Knights of
Spain," "Three kings," "Here comes a Duke a-roving," "Tread, tread the
Green Grass," "I'll give to you a Paper of Pins," "There she stands a
lovely Creature," "Green Grow the Rushes, O!" "The Widow with Daughters
to marry," "Philander's March," "Marriage," etc., corresponding to many
others all over the globe, evidence the social instincts of child-hood
as well as the imitative tendencies of youth.
Under "Playing at Work" (313. 80-92), Mr. Newell has classed a large
number of children's games and songs, some of which now find their
representatives in the kindergarten, this education of the child by
itself having been so modified as to form part of the infantile
curriculum of study. Among such games are: "Threading the Needle," "Draw
a Bucket of Water," "Here I Brew and here I Bake," "Here we come
gathering Nuts of May," "When I was a Shoemaker," "Do, do, pity my
Case," "As we go round the Mulberry Bush," "Who'll be the Binder?"
"Oats, Pease, Beans, and Barley grows." Mr. Newell includes in this
category, also, that well-known dance, the "Virginia Reel," which he
interprets as an imitation of weaving, something akin to the
"Hemp-dressers' Dance," of the time of George III., in England.
Public-domain text, read in full here on John Shaqi.
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