In the African district of Quoja existed a secret society called Belly-Paaro, "the members of which had to spend a long time in a holy thicket. Whoever broke the rules of this society was seized upon by the Jannanes, or spirits of the dead, who dwelt in the thicket and brought thither, whence he was unable to return" (127. I. 240). Of this practice Kulischer remarks: "'It is a death and a new birth, since they are wholly changed in the consecrated thicket, dying to the old life and existence, and receiving a new understanding.' When the youths return from the thicket, they act as if they had come into the world for the first time, and had never known where their parents lived or their names, what sort of people they were, how to wash themselves" (214. 12). Of another part of Africa we read: "In the country of Ambamba each person must die once, and come to life again. Accordingly, when a fetich-priest shakes his calabash at a village, those men and youths whose hour is come fall into a state of death-like torpor, from which they recover usually in the course of three days. But if there is any one that the fetich loves, him he takes into the bush and buries in the fetich-house. Oftentimes he remains buried for a long series of years. When he comes to life again, he begins to eat and drink as before, but his reason is gone, and the fetich-man is obliged to train him and instruct him in the simplest bodily movements, like a little child. At first the stick is only the instrument of education, but gradually his senses come back to him, and he begins to speak. As soon as his education is finished, the priest restores him to his parents. They seldom recognize their son, but accept the express assurance of the feticero, who also reminds them of events in the past. In Ambamba a man who has not passed through the process of dying and coming to life again is held in contempt, nor is he permitted to join in the dance" (529. 56). Some recollection, perhaps, of similar customs and ideas appears in the game of "Ruripsken," which, according to Schambach, is played by children in Gottingen: One of the children lies on the ground, pretending to be dead, the others running up and singing out "Ruripsken, are you alive yet?" Suddenly he springs up and seizes one of the other players, who has to take his place, and so the game goes on.