The Child and Childhood in Folk-Thought: Studies of the Activities and Influences of the Child Among Primitive Peoples, Their Analogues and Survivals in the Civilization of To-DayChamberlain, Alexander Francis
Science
The Child and Childhood in Folk-Thought: Studies of the Activities and Influences of the Child Among Primitive Peoples, Their Analogues and Survivals in the Civilization of To-Day
Chamberlain, Alexander Francis
Child rearing; Children -- Folklore; Folklore and children
the recognition of that outlasting secret hope and love, of which the
Gospel writer told in the simple words: "Now there stood by the cross of
Jesus his mother," and faith in which was strong in the Mesopotamians of
old, who prayed to the goddess Istar, "May thy heart be appeased as the
heart of a mother who has borne children." The world is at its best when
the last, holiest appeal is _ad matrem_. Professor O.T. Mason has
eloquently stated the debt of the world's religions to motherhood (112.
12):--"The mother-goddess of all peoples, culminating in the apotheosis
of the Virgin Mary, is an idea either originated by women, or devised to
satisfy their spiritual cravings. So we may go through the pantheons of
all peoples, finding counterparts of Rhea, mother-earth, goddess of
fertility; Hera, queen of harvests, feeder of mankind; Hestia, goddess
of the hearth and home, of families and states, giving life and warmth;
Aphrodite, the beautiful, patron of romantic love and personal charms;
Hera, sovereign lady, divine caciquess, embodiment of queenly dignity;
Pallas Athene, ideal image of that central inspiring force that we learn
at our mother's knee, and that shone in eternal splendour; Isis, the
goddess of widowhood, sending forth her son Horus, to avenge the death
of his father, Osiris; as moon-goddess, keeping alive the light until
the sun rises again to bless the world."
_The All-Mother._
In Polynesian mythology we find, dwelling in the lowest depths of Avaiki
(the interior of the universe), the "Great Mother,"--the originator of
all things, _Vari-ma-te-takere_, "the very beginning,"--and her
pet child, Tu-metua, "Stick by the parent," her last offspring,
inseparable from her. All of her children were born of pieces of flesh
which she plucked off her own body; the first-born was the man-fish
Vatea, "father of gods and men," whose one eye is the sun, the other the
moon; the fifth child was Raka, to whom his mother gave the winds in a
basket, and "the children of Raka are the numerous winds and storms
which distress mankind. To each child is allotted a hole at the edge of
the horizon, through which he blows at pleasure." In the songs the gods
are termed "the children of Vatea," and the ocean is sometimes called
"the sea of Vatea." Mr. Gill tells us that "the Great Mother
approximates nearest to the dignity of creator"; and, curiously enough,
the word _Vari_, "beginning," signifies, on the island of
Rarotonga, "mud," showing that "these people imagined that once the
world was a 'chaos of mud,' out of which some mighty unseen agent, whom
they called _Vari_, evolved the present order of things" (458. 3,
21).
Another "All-Mother" is she of whom our own poets have sung, "Nature,"
the source and sustainer of all.
_Mother-Nature_.
Public-domain text, read in full here on John Shaqi.
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