The Child of the Moat: A Story for Girls. 1557 A.D.Stoughton Holborn, I. B. (Ian Bernard)
History
The Child of the Moat: A Story for Girls. 1557 A.D.
Stoughton Holborn, I. B. (Ian Bernard)
Adventure stories; Girls -- Juvenile fiction; Great Britain -- History -- Mary I, 1553-1558 -- Juvenile fiction
But these very qualities led to further antagonism on Eleanor Mowbray’s
part. They were part of that power of the true lady that in Aline was
developed to an almost superhuman faculty and which went entirely
beyond any power of which Mistress Mowbray even dreamed and yet
without the child making any effort to get it. Aline herself indeed
was unconscious of her strength as anything exceptional. She had been
brought up by her father, practically alone and had not as yet come to
realise how different she was from other children.
It was the morning after the discovery of the secret room that Mistress
Mowbray had the first indication that Aline had a power that might
rival her own. It was a small incident, but it sank deeply and Eleanor
Mowbray did not forget it.
She was expecting a number of guests to dinner and it looked as though
nothing would be ready in time. She rushed to and fro from the hall
to the kitchen upbraiding the servants and talking in a loud and
domineering tone. But the servants, who were working as hard as the
average of their class, became sullen and went about their labours
with less rather than more effort.
Eleanor Mowbray was furious and finding Aline still at her spinning
wheel, where she herself had put her, “’Sdeath child,” she exclaimed,
“this is no time for spinning, what possesses you? I cannot get those
varlets to work, everything is in confusion,--knaves!--hussies!--go you
to the kitchen and lend a hand and that right speedily.”
Aline felt sorry for her hostess, who certainly was like enough to have
her entertainment spoilt. She had already noticed that the servants in
the hall were very half-hearted, so she said, “I will do what I can,
Mistress Mowbray, perhaps I might help to get them to work.”
“You, indeed,” said the irate lady, “ridiculous child!--but go along
and assist to carry the dishes.”
Aline rose and passed into the screens and down the central passage to
the kitchen. The place was filled with loud grumbling, almost to the
verge of mutiny.
As the queenly little figure stood in the doorway, the servants nudged
each other and the voices straightway subsided.
“Hush, she will be telling tales,” said one of the maids quietly.
“Nonsense,” said Elspeth, Audry’s old nurse, who was assisting, “surely
you know the child better than that.”
For a moment or two Aline did not speak and a strange feeling of shame
seemed to pervade the place.
“Elspeth,” said Aline, while the flicker of a smile betrayed her, “if
you run about so, you’ll wear out your shoon; you should sit on the
table and swing your feet like Joseph there.”
“Now, hinnie, why for are you making fun of an old body?”
“I would not make fun of you for anything,” said Aline; “but look at
his shoon; are they not fine,--and his beautiful lily-white hands?”
“Look as if you never did a day’s work, Joe,” said Silas, the reeve.
Public-domain text, read in full here on John Shaqi.
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