With the money the children’s father had given Jasper for his
kindness, he had been able to set up for himself, and eventually he
had married Freedom. Years afterwards, when the old proprietor of the
mill had died, Jasper had bought it, and gone to dwell there; for
although he came of gipsy stock, he had lost the love of wandering.
And Freedom was a happy wife, as she deserved to be, and had many
wonderfully brown babies.
Jasper would often stand at the open door in summer time, with his
hands in his pockets and an eye on the cloud drift, and now and again
as he worked, he would sing the song Rob heard him sing that night in
the moonshine.
“For the miller’s a man, who must work while he can,
With the rye and the barley growing,
While the slow wheels churn, and the great sails turn
To the fresh wind, blowing.”
CHAPTER X
The story finished, all the children bounded along the passage,
laughing and leaping as they ran. They found the drawing-room lit,
and a company assembled. It took Clare’s breath away, and at first
she felt excited. Then she espied Mrs. Inchbald at the end of the
long room, and ran towards her.
Mrs. Inchbald saw her approaching, and “La, child, what are you
doing?” she said, “remember your minuet. That is not the way to move
in a drawing-room, my dear.”
But Clare didn’t know a minuet. She lives, it is to be deplored,
in the day of barn-dances, kitchen lancers, and general slouchback
deportment. When little boys walk with their hands in their pockets
(a most ungentlemanly attitude), and little girls stand with their
heads set on their shoulders as if they were Odol bottles, poor
things, and made that way.
“How well Mrs. Jordan stands,” said Mrs. Inchbald; “look at her, my
dear, and learn to throw the small of your back in and to poise your
head.”
Clare was getting good at keeping silence when censured, so she
stood still while Mrs. Inchbald spoke. She was, moreover, immensely
interested in watching the animated groups around her; she saw Bim
as pre-occupied as possible, admiring Lewis, the actor’s, coat.
Christopher was looking at a large russet-coloured leather book
spread open before him, which Clare recognised as the portfolio
belonging to the Misses Frankland; and as she looked round the room,
in they came, those two pretty creatures, Amelia and Marianne. They
sat down, with Christopher between them, and showed him their book.
“Then they also live here? That accounts,” thought Clare, “for that
dog I heard barking and whining just before I woke up this morning.”
But now the room was filling so quickly her eyes kept falling on new
old friends. One group in particular attracted her attention; it was
so very lively and vivid in effect. Yes, it was Barry, and Quin, and
Miss Fenton--Miss Lavinia Fenton of the expressive hands. And towards
this group Lewis, the actor, was striding, and Mrs. Jordan was
among them too.
Public-domain text, read in full here on John Shaqi.
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