"And how we have talked! We agree on all points." The gentle maternal eyes sought those of her child in the twilight of the staircase. "Oh, all?" she asked. "Yes, mamma, on all!" They had arrived at the top of the stairs. She placed her gloved finger on her mouth. She withdrew her arm which she had placed in that of her son. She was at the door of her room, facing M. Philippe Oberlé's room. Jean kissed her, withdrew a little, returned to her, and pressed her once again to his heart silently. Then he took a few steps down the passage, looked again at this woman dressed in black, and whom mourning suited so well--so simple with her drooping white hands and her erect head, so firm of feature, so gentle in expression. He murmured gaily: "Saint Monica Oberlé, pray for us!" She did not seem to hear him, but she remained, her hand on the door-handle without entering, as long as Jean could see her, Jean, who was going backwards step by step, farther away, into the shadows of the passage. He entered his room, his heart joyful, his mind full of thoughts, all those thoughts of the past evening coming back now with swift flight in the solitude of the present. Feeling that he would not sleep at once, he opened the window. The cold air blew steadily from the north-east. The mist had fled. From his room Jean could see, beyond the wide strip of cultivated hilly ground, the forests where Shadow all night long wound and unwound her folds, away to the heights crowned here and there by a spiked cluster of ancient woods, which broke the line of hills and wreathed itself about in stars. He tried to find the house of M. Ulrich. And in thought he saw again him who ought to be arriving home, when voices began to sing on the edge of the forest. A shiver of pleasure seized the nerves of the young man, who was a passionate musician. The voices were beautiful, young, and in tune. There were more than twenty of them certainly, perhaps thirty or fifty. He missed the words because of the distance. It was like the sound of an organ in the night. They flung out to the wind of Alsace a song of a spirited rhythm. Then three distinct words reached Jean's ears. He shrugged his shoulders, irritated with himself for not having understood at once. It was a chorus of German soldiers coming back from the manoeuvre of those Rhenish Hussars M. Ulrich had met coming down the mountain. According to custom, they sang to keep themselves awake, and because there was in their songs the power of the word Fatherland. The horses' hoofs accompanied the melody like muffled cymbals. The words escaped and vibrated: "Stimmt an mit hellem hohen Klang, Stimmt an das Lied der Lieder. Des Faterlandes Hochgesang, Das Waldthal hall es wieder."