"Don't abuse our medical counsellor," said Edwin. "In spite of all you have said he is a good fellow, and his carriage would suit my trade and Balder's as little as my slow-stepping scientific methods would suit his empirical gallop. Besides--" At this moment they heard from the windows below, the first bars of the overture to Glück's "Orpheus." Mohr approached the window again, and listened attentively. "Who is playing?" he asked after a time, in an undertone. "One of the inmates of the house, a young lady of whom we know little more than that she gives music-lessons. Last night--I have not yet told you of it, Balder--I found her absorbed in Schopenhauer's Parerga. She spoke enthusiastically about the chapter on 'the sorrows of the world.' "Her music bears witness that in those sorrows she had had experience," said Mohr. "Women only play as she does when their hearts have been once broken and then pieced together again. It is with them as it is with old violins, which must be shattered several times before they have the right resonance. But hush, it is growing still more beautiful." He sat down on the window-sill, and, gazing without, became completely absorbed in listening. Balder worked noiselessly at his little boxes, while Edwin had taken a book though his gaze became fixed upon one page. It was so quiet in the room, that during the pauses in the music, they could hear the stealthy footsteps of the cat, which had just previously leaped into the chamber, and eaten the remnants of the breakfast. CHAPTER VI. About the same time that these things were occurring in the back building, the master of the house was in the shop talking with a customer, who had just brought to be mended a pair of embroidered slippers, carefully wrapped in an old newspaper.