"That is of no consequence, Herr König," replied the shoemaker; "it is
always an honor as well as a pleasure to work for you and your family,
not only on account of the high instep which you all have, but because
you are an artist and have an eye for shape. As for the durableness of
the shoes, that is not your fault, but the fault of the leather. But
wait till your daughter goes to balls. Good work is of no avail then,
Herr König; dancing shoes which are not as delicate and as easily
broken as poppy-leaves, do the shoemaker no credit."
The little gentleman shook his head thoughtfully.
"My daughter, I fear, will give you little opportunity to earn money in
that article," said he, "She has no desire for any of the seemly
amusements which I would willingly grant her; her mind is filled with
her work and her father; she can't be induced to attend to anything
else."
"Well, well," said the shoemaker, drawing from his jacket a little
silver snuff-box, which he offered the artist, "those things will come
as a matter of course. Young ladies always have some peculiarities, you
know; they do not forget the mother; but women are women, Herr König,
and there is no virtue in youth. True, you yourself still wear crape
around your hat; in your case constancy may be in the blood. But wait a
while. The will, Herr König, is master; the perception weak; of how
weak it is, we have sometimes little idea."
"You are mistaken," replied the other, fixing his eyes which wore a
quiet, thoughtful expression upon the floor. "She has become perfectly
cheerful again, and I also, though every day I still miss my dead wife.
God does not like to see discontented faces, He has made the world too
beautiful for that. The crape--yes, I have kept it on my hat. Why
should I take it off, and when? It would seem very strange to me, to
say to myself on a certain day: From this time things shall no longer
be as they were yesterday; I will now remove this token of remembrance.
Should I thereby blot out the memory too? But even if her mother were
still alive, I do not think the child would be any different. She has a
very peculiar character."
"Be kind enough to permit me to differ from you," said the shoemaker
with great positiveness, despite the courteous language he studiously
adopted. "Women--true women--have generally no character of their own,
but one that belongs in common to all the sex. For the sole object for
which they are in the world, is, to use Salvenia's words, only to
continue the species, or, as we term it, for propagation. A woman who
desires anything else, has something wrong about her; I say this
without intending to cast any reflections upon your daughter."
The artist opened his little eyes to their widest extent. "My dear
Feyertag, why do you say such strange things?" he said, naïvely. "Is
not a woman as much a creature of the dear God as we ourselves? formed
in his image, and endowed with soul and mind?"
Public-domain text, read in full here on John Shaqi.
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