When he was alone in the hot street with the little artist, the
latter said: "You have not far to go, Herr Doctor, I live on the
Schiffbauerdamm, and we can walk in the shade all the way. But, that
you may understand my daughter's peculiar course of education, allow me
to tell you something of my domestic affairs. Your landlord has made
you acquainted with my name. You have probably never heard it mentioned
before. My pictures are not remarkable performances, and for several
years past I have turned my attention more to wood engraving. A trade,
Herr Doctor, takes root in a firmer soil than art, though it may not
always be a soil so golden, and it becomes a father of a family, even
if the family consists of but two persons--however, I have never wholly
relinquished painting, adhering always to my own very modest style,
which in art circles, has even earned me a nickname. Just as there is a
cat-Raphael, and a velvet-and-hell Breughel, so I am called, owing to
my predilection for introducing old fences into my landscapes, the
zaun-könig.[2] Predilection?" he smiled as he continued, "that is not
exactly the right word either. God knows I would rather paint beautiful
woodlands, like Ruysdell, or clear, bright atmospheres like Claude
Lorraine, if my talent were but sufficient. But I always succeed best
in small, insignificant objects. So a bit of ground with stones, weeds,
and brambles, a clod of earth on which mother nature has developed her
productive powers as freely as if it were a world in itself, in
short what we call a 'foreground,' has always given me so much to
do--especially as I am somewhat near-sighted--that I have never arrived
at real landscapes. Well, everybody must cut his garment according to
his cloth. And when we reflect aright, do not God's power and glory
make themselves manifest in just as wonderful a guise behind a low
hedge or a garden fence, as in the romance of the primeval forest, or
the surpassing grandeur of the Swiss Alps? So what I do, I do because I
cannot help it; in short I work for my own edification, and try to
represent a small portion, a little corner or bit of creation, with so
much care and love, that in looking upon my work people may see that,
even this despised spot, God's breath has touched."
Edwin had given but partial attention to these remarks, which would
usually have interested him far more deeply. His thoughts were
wandering in vague, distant realms. But in order to say something, he
remarked: "And do you find purchasers for your pictures?"
The little gentleman smiled, in a half-embarrassed, half-conscious
manner.
Public-domain text, read in full here on John Shaqi.
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