The Children's Book of Celebrated PicturesBryant, Lorinda Munson
General
The Children's Book of Celebrated Pictures
Bryant, Lorinda Munson
Art -- Juvenile literature; Painting -- Juvenile literature
One day when Velasquez was painting a portrait of Philip IV, the
king's little daughter Margarita came into the room attended by her
maids of honor and a splendid dog. The king was so delighted with the
little group that he told Velasquez to make a picture of them just as
they stood there before him. Now look at the picture and you will see
in the looking-glass at the back of the room the reflection of the
king and the queen. At the easel stands Velasquez, the artist, with
his palette and brushes. The wee fair-haired princess is the center of
the group. The strange-looking little women, her maids of honor, are
dwarfs. And see what a magnificent fellow the dog is, lying so
contentedly on the floor right in front of us.
When the picture was finished, and the people went to see it, many of
them asked, "Where is the picture?" The little Margarita and her maids
are so alive and those people standing around seem so real that no one
thought they could be painted on canvas.
Velasquez made such wonderfully real likenesses that some one told
this story of one: One day the King came to Velasquez's studio and
seeing, as he supposed, one of his admirals whom he had sent to take a
command a few days before, he spoke angrily:
"What! still here? Did I not command you to depart? Why have you not
obeyed?" Of course the admiral did not answer, and then the king found
that he had been angry at a portrait.
[Illustration: FIG. 36. THE MAIDS OF HONOR. VELASQUEZ. MADRID GALLERY,
SPAIN]
THE NYMPHS
JEAN BAPTISTE CAMILLE COROT (1796-1875)
Everybody loved Pere Corot--Papa Corot, as he was called. His happy
manner and lovely smile won for him the name of the "happy one." I
want you to know what Papa Corot says, in a letter to a friend, about
himself and his painting. He writes:
"Look you, it is charming, the day of a landscapist. He gets up at
three in the morning, before sunrise, goes and sits under a tree, and
watches and waits. Not much can be seen at first. Nature is behind a
veil. Everything smells sweet.
"Ping! a ray of yellow light shoots up. The veil is torn, and meadow
and valley and hill are peeping through the rent.
"Bing, bing! the sun's first ray--another ray--and the flowers awake
and drink a drop of quivering dew. The leaves feel cold and move to
and fro. Under the leaves unseen birds are singing softly. The flowers
are saying their morning prayers.
"Bam! the sun has risen. Bam! a peasant crosses the field with a cart
and oxen. Ding! ding! says the bell of the ram that leads the flock of
sheep.
"Bam! bam! all bursts--all glitters--all is full of light, blond and
caressing as yet. The flowers raise their heads. It is adorable. I
paint! I paint!
"Boom! boom! boom! The sun aflame burns the earth. Everything becomes
heavy. Let us go home. We see too much now. Let us go home."
Public-domain text, read in full here on John Shaqi.
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