Ovid was a Latin poet who knew how to tell a story. He could not only invent a tale, but he could tell it so well that the reader feels as if it must be true. His most interesting stories, however, he did not invent, for they are a rewriting of the old mythological tales. In one respect he is like Homer; he never forgets the little things, and he tells so many details that we can hardly believe he is imagining them. In his story of Baucis and Philemon, for instance, Ovid does not forget to say that the cottage door was so low that the two gods had to stoop to pass through it; that Baucis hurried to brighten the fire with dry leaves and bits of bark; that one leg of the table was too short and had to be propped up with a piece of tile. He tells us that the kindhearted couple tried to catch their one goose so as to cook it for the supper of their guests; but that they were so old, and the goose so nimble of wing, that he escaped them and flew to the Gods for refuge. We are so accustomed to think of Latin as a grave, dignified language that almost every line of Ovid's "Metamorphoses" is a pleasant surprise. The stories that he tells, "The Miraculous Pitcher", "The Golden Touch", "The Pomegranate Seeds", and others, retold by Hawthorne, are favorites among the boys and girls of to-day, and they must have been liked just as well by the Roman children. In Rome the children read the great poets in school, and I fancy that they were always glad when the hour came to read the "Metamorphoses." STORIES FROM HERODOTUS LADRONIUS, THE PRINCE OF THIEVES Retold by G. H. Boden and W. Barrington d'Almeida