The Children's Life of the BeeMaeterlinck, Maurice
General
The Children's Life of the Bee
Maeterlinck, Maurice
Bees
And yet, the temptation must seem very great. It is the festival of
honey, the triumph of the race; the one day of joy, of forgetfulness and
light-heartedness, the only Sunday the bees ever know. It seems, too, to
be the one day on which all eat their fill, and revel, to heart's
content, in the treasure which they have amassed. They might be
prisoners freed at last, suddenly led into a land overflowing with
plenty. They cannot contain the joy that is in them. They come and go
without aim or purpose; they depart and return, sally forth again to see
if the queen is ready; they tease and play about with their sisters, and
do anything to pass the time. They fly much higher than usual, and the
leaves of the mighty trees round about are all quivering in reply. The
bees have left all trouble behind, and all care. They no longer are
fierce, suspicious, angry. On this day man can go near them and handle
them, can divide the glittering curtain they form as they fly round and
round in songful circles. He can take them up in his hand, he can gather
them as he would a bunch of grapes; for to-day, in their gladness,
possessing nothing, but full of faith in the future, they will submit to
everything and injure no one, so long as they be not separated from
their queen, on whom that future depends.
But the signal has not yet been given. In the hive there is the
strangest confusion, a disorder which we are unable to understand. At
ordinary times, each bee, as soon as she has returned to the hive,
appears to forget her wings; she will do her work, scarcely making a
movement, on that particular spot in the hive where her special duties
lie. But to-day every bee seems bewitched; they fly in dense circles
round and round the smooth walls, like a living jelly stirred by an
unseen hand. There are times even when the air inside the hive will
become so hot that the wax of which the buildings are made will soften,
and twist out of shape.
The queen, who till now never has stirred from the center of the comb,
is rushing wildly to and fro, in breathless excitement, clambering over
the crowd that keeps on turning and turning. Is she hastening their
departure, or trying to prevent it? Is she commanding or imploring? Is
she the cause of all this emotion, or merely its victim?
Public-domain text, read in full here on John Shaqi.
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