Man-woman relationships -- Fiction; Women -- Fiction
“I didn’t tell her where I put the extra flannels—for the steamer.
They say it’s cold—sometimes!”
“Telegraph!” replied William Archer promptly. “Want me to go home
with you?”
They stood at the corner of the street. Annabel shook her head.
“Of course not! Don’t be silly!... I shall telegraph to-night—a
night-letter.”
“Whereto?”
She looked at him helplessly. “I don’t know.... And she’s always
been so fixed before! Wherever I went, I seemed always just kind of
circling around mother and coming back to her. And now she’s off like
that—whirling into space!” She made a sweeping gesture of her hands
and looked up to him appealingly.
The little laugh left William Archer’s face. “There’s no one in
the world, of course, like mother.... Never has been—for me.... I
suppose all men feel that way—about their mothers.” He said it
slowly and looked at her inquiringly. “But it seems somehow as if she
were somebody in particular—and nobody else could know—how we feel
about her.”
“They can’t—and they don’t!” said Annabel grimly.
They stood looking at each other with quiet understanding. They had not
felt so near together in years, not since they played in the branches of
the oak-tree, and William Archer had called down to her from the topmost
branch: “Come on up!”
She nodded to him with a little smile of remembrance and affection, and
they turned and went their separate ways.
XX
From the window of the train Eleanor More looked out on green fields.
They had emerged from the dark mouth of the tunnel into a spring day.
The evening light was on the fields, and they stretched away to distant
woods. The shadows along the ground caught a glow from the sky.
“Looks like a clear day to-morrow,” said Richard.
She nodded quietly. Her eyes were on the level green fields that moved
past them, mile after mile.
He put out his hand and covered hers where it lay on the seat between
them.
“Tired?” he asked.
She shook her head. Then she drew a long breath and looked at him with a
smile.
“How good it seems!” she said slowly. “How good it seems—to get
away from them all!”
“We are beginning all over,” he responded.
“Yes.... I can’t seem to worry about what’s happening to them....
Just a little worry—because I don’t worry—that’s all!”
“You’ll get over that in a mile or so,” he replied confidently.
It would seem she did get over it—or at least if she did not, she
concealed it skilfully. The little lines in her face smoothed, one by
one, and a tranquil look came to it.
She sat for hours as the train moved over the level plain, the look
of abstraction in her eyes and the gentleness and strength in her
face revealing themselves—as the lines of a landscape are sometimes
revealed by a change of light or by the passing of a storm—all the
surface life slipped from it.
Public-domain text, read in full here on John Shaqi.
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