Man-woman relationships -- Fiction; Women -- Fiction
“He will go to the grave of his ancestors.... He is old and his sons
are dead.... He will bury this son, the last of his race—” His hand
touched the lacquered surface gently. “He will offer worship at the
sacred mountain and pay vows before the tomb of his ancestors. The money
you have given shall make glad the hearts of his ancestors.”
He ceased. The old man approached the coffin. For a long moment he stood
with hands resting on it—as if he would gather from it something
of the strength of the race that was passing. Then with grave face he
lifted the strings of cash and placed them about his neck and gathered
up the silver shoes from beside the coffin and took from a little shelf
by the platform a red umbrella and a pair of half-worn sandals. With
courteous gesture he passed from the room.
XXIV |In the grove outside the city wall they paused to rest.
The interpreter, who had come with them from the house and refused
to leave them till the city gate was reached, had been paid and was
returning to the temple.
As they passed through the streets, they had been conscious of curious
whispers, glances from behind opaque windows and rustling from concealed
doorways and passages beyond—so a hive of bees despoiled of its comb
stirs with low-murmured sound and the restless whir of wings.... But no
one had approached them, no one barred passage to the light oblong box
that Richard More carried so carefully in his hand.
At the entrance to the grove he glanced at his wife.
“We shall rest here,” he said with quiet decision.
And she acquiesced—a little smile coming to her lips as they entered
the grove.
The green light filtered through the boughs. It touched the twisted
trunks with a still look of mystery and strangeness.
“How beautiful!” she said under her breath.
He made a place for her to sit down, and as she leaned against the
gnarled trunk, looking up to the boughs where the filtering light came
through, he was struck again by the pallor of her face.
“You are tired!” he exclaimed. “I shall signal Kou Ying to bring
the chairs!” He moved to the entrance of the grove—but she stayed
him.
“No—wait! I like it—to be alone with you.... Don’t call Kou
Ying—yet!”
She looked about with dreamy eyes. “It is so beautiful here—and
quiet—I shall rest,” she said slowly.
Then her eyes fell on the box and she smiled.
“Open it!” she commanded.
And as his fingers undid the cord and lifted the thin rustling papers
and drew the coat from its place, she laughed and chatted like a child.
And her laughter, sounding through the grove, had something sweet and
strange in it.
He lifted the coat and laid it before her. She looked down at it. She
put out her hand and stroked the dragons, the laughter still in her
eyes.
“For William Archer,” she said.
“And his sons,” responded Richard.
“And his sons’ sons forever,” she finished dreamily.
Her hand still stroked the dragons.
“I did not think you—would get it—for me!” she said.
Public-domain text, read in full here on John Shaqi.
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