Married people -- Fiction; Short stories; Triangles (Interpersonal relations) -- Fiction
She uttered an incredulous exclamation and drew back.
“Is this the truth? Why didn’t you tell me before?”
“He forbade me. You were not to know.”
Close above them, in the shrubbery, Stilling warbled:
“_Nita, Juanita,
Ask thy soul if we must part!_”
Wrayford held her by both arms. “Understand this--if he comes in, he’ll
find us. And if there’s a row you’ll lose your boy.”
She seemed not to hear him. “You--you--you--he’ll kill you!” she
exclaimed.
Wrayford laughed impatiently and released her, and she stood shrinking
against the wall, her hands pressed to her breast. Wrayford straightened
himself and she felt that he was listening intently. Then he dropped to
his knees and laid his hands against the boards of the sliding floor. It
yielded at once, as if with a kind of evil alacrity; and at their feet
they saw, under the motionless solid night, another darker night that
moved and shimmered. Wrayford threw himself back against the opposite
wall, behind the door.
A key rattled in the lock, and after a moment’s fumbling the door swung
open. Wrayford and Isabel saw a man’s black bulk against the obscurity.
It moved a step, lurched forward, and vanished out of sight. From the
depths beneath them there came a splash and a long cry.
“Go! go!” Wrayford cried out, feeling blindly for Isabel in the
blackness.
“Oh--” she cried, wrenching herself away from him.
He stood still a moment, as if dazed; then she saw him suddenly plunge
from her side, and heard another splash far down, and a tumult in the
beaten water.
In the darkness she cowered close to the opening, pressing her face
over the edge, and crying out the name of each of the two men in turn.
Suddenly she began to see: the obscurity was less opaque, as if a
faint moon-pallor diluted it. Isabel vaguely discerned the two shapes
struggling in the black pit below her; once she saw the gleam of a face.
She glanced up desperately for some means of rescue, and caught sight
of the oars ranged on brackets against the wall. She snatched down
the nearest, bent over the opening, and pushed the oar down into the
blackness, crying out her husband’s name.
The clouds had swallowed the moon again, and she could see nothing below
her; but she still heard the tumult in the beaten water.
“Cobham! Cobham!” she screamed.
As if in answer, she felt a mighty clutch on the oar, a clutch that
strained her arms to the breaking-point as she tried to brace her knees
against the runners of the sliding floor.
“Hold on! Hold on! Hold on!” a voice gasped out from below; and she held
on, with racked muscles, with bleeding palms, with eyes straining from
their sockets, and a heart that tugged at her as the weight was tugging
at the oar.
Suddenly the weight relaxed, and the oar slipped up through her
lacerated hands. She felt a wet body scrambling over the edge of the
opening, and Stilling’s voice, raucous and strange, groaned out, close
to her: “God! I thought I was done for.”
Public-domain text, read in full here on John Shaqi.
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