"It is contended by some, that a picture should be made up only of such materials as are capable of telling its own story; such confinement would shut out the human mind from a depth of pursuit in every branch of art. Poetry requires prose fully to explain its meaning, and to create an interest; for who would be without the notes in Walter Scott's 'Lay of the Last Minstrel,' or a glossary to the poems of Burn, the argument to Milton or Homer? If then it be necessary to make use of language to explain poetry, should not the same medium be used to explain personification? It has been thought necessary on the stage to send a person between the acts as a comment on the past, and a preface to the future, and can we, I ask, understand what is going on even in nature, by dumb show? If we see a crowd of people assembled in the streets, do we expect that the action and expression should inform us the cause of their congregating in an unusual manner? Experience proves more than volumes of argument. We ask 'what does all this mean?'" To which we most candidly reply, we really do not know. Mr. Ward then proceeds in the following manner:-- "Wellington has his hand upon the tri-coloured cross, on the shield of Britannia, expressive of the Christian's emblem, and the three colours of which it is composed are the colours answerable to the three principles in Trinity!!! Red is the first fiery principle in the Godhead; Blue the second in the Saviour, or Mediator; White the third in the Dove of Peace." This ingenious explanation of the mysteries of the Union Jack must be highly satisfactory to every thinking Englishman: there is, indeed, but one drawback to the holy pleasure we feel at Mr. Ward's sublime discovery, which is, that the Revolutionary flag of France was composed of the same three colours. The enlightened artist then informs us--speaking of Britannia, "that the twisted lock of hair _laying_ in front upon her bosom, and over the right arm, is emblematic of"--what do you suppose, reader?--"of the spirit of justice." "Justice, stern and unrelenting, whose sword is forward, and whose plaited hair is answerable to that sword, and makes in the person of Justice the number three, as expressive of the Trinity, or the whole of Godhead manifested in the awful administration of justice. That sword is serpentine, as expressive of flame, Deity in its principle of fire." This is "finely confused, and very alarming;" but observe:-- "With the other hand she points through the medium of the Trident to the Trinity in Unity, commanding him to look up to Providence as alone able to give success to his efforts." This puzzles us; pointing through the medium of "the Trident" appears to us to be something like looking at the Sun through the medium of a toasting-fork; but we may be wrong. Mr. Ward then continues:--