The Choice Humorous Works, Ludicrous Adventures, Bons Mots, Puns, and Hoaxes of Theodore HookHook, Theodore Edward
General
The Choice Humorous Works, Ludicrous Adventures, Bons Mots, Puns, and Hoaxes of Theodore Hook
Hook, Theodore Edward
English wit and humor
The poetry of Mr. Minus could be compared to nothing but the dropping
of honey upon rose leaves, or the fluttering of moths round the smoke
of cinnamon;--it was so flippant, so sweet, and so trifling. He had a
round of set rhymes and ideas, which, like the man who walked out in
the morning in a dress of crimson and gold, because he had no other,
he perpetually was using; such as
"Coral lips and rolling eyes,
Roguish leers and heaving sighs,
Lily bosoms, seeking kisses,
Silent sighs for secret blisses;"
which species of versification having displayed _al fresco_ after
dinner in lines "To a Mole upon Fanny's left knee;" "A sonnet to half
a jasamine flower;" "An ode to the wing of a butterfly," and "An
Epithalamium on the marriage of two humming birds," (all of which
were written, sung, composed, and recited by himself) he obligingly
sat down to the piano-forte on their return, and gave the following
air with infinite effect:
FANNY'S BOWER.[60]
"Come, Fanny, I've raised a sweet bower,
With roses and lilies entwin'd;
Before it grows every flower,
A bedroom I've built you behind.
"Our couch is a cluster of roses,
And while we lay lost in the sweet,
The leaves will so tickle our noses,
The thorns shall lie under our feet.
"The sheets, both the lower and upper,
Are made from a pair of bees' wings,
Whose honey I've stole for your supper,
And carved with their sharp-cutting stings.
"To save us the trouble of thinking,
In dew-drops I'll pledge you, my best,
And when I am tired of drinking,
I'll sink on your bosom to rest.
"I'll study your taste to a tittle,
In torrents our pleasures shall pour,
For the girl once indulged with a _little_,
Will very soon languish for _more_!"
This Mr. Minus considered a _chef-d'œuvre_, and if he was mistaken
there was such a softness, a condescension and pleasantry in his
manners, as would have excused a more serious error; as a companion,
he was delightful; as a man, honourable; and as a poet, fashionable.
NATIONAL DISTRESS.
In a late number[61] we somewhat unfeelingly (it is hinted by a
correspondent) doubted, and even sneered at, the universal topic, the
national distress, with which we are, it seems, overwhelmed; and when
any suggestions of our friends (backed by truth and reason) can be
attended to, we are always delighted to avail ourselves of them, and
recant our errors.
We have reconsidered the subject, and, during the last fortnight,
have visited the most diversified scenes of life, and we feel bound
to retract the "flippant doubts" (those are our communicant's words),
which we expressed as to the existence of general calamity, and are
ready to confess that we had no idea of its extent, particularly in
and about the metropolis.
Public-domain text, read in full here on John Shaqi.
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