The Choice Humorous Works, Ludicrous Adventures, Bons Mots, Puns, and Hoaxes of Theodore HookHook, Theodore Edward
General
The Choice Humorous Works, Ludicrous Adventures, Bons Mots, Puns, and Hoaxes of Theodore Hook
Hook, Theodore Edward
English wit and humor
The Dean, with a great deal of the wit and humour that made his
brother famous,[2] and with perhaps much the same original cast of
disposition and temper generally, had possessed one great advantage
over him at the start of life. His excellent mother watched over him
all through the years of youth and early manhood. Theodore could
only remember her, and fondly and tenderly he did so to the last,
as the gentle parent of a happy child. He had just approached the
first era of peril when this considerate and firm-minded woman was
lost to her family. The composer soon afterwards married again; but
Theodore found not, what, in spite of a thousand proverbs, many
men have found under such circumstances--a second mother. But for
that deprivation we can hardly doubt that he might, like his more
fortunate brother, have learned to regulate his passions and control
his spirits, and risen to fill with grace some high position in an
honourable profession. The calamitous loss of his mother is shadowed
very distinctly in one of his novels, and the unlucky hero (Gilbert
Gurney) is represented as having a single prosperous brother,
exactly eighteen years older than himself. But, indeed, that novel
is very largely autobiographical: when his diary alludes to it as in
progress, the usual phrase is, "Working at my Life."
Born in the same year with Lord Byron and Sir Robert Peel, he was
their schoolfellow at Harrow, but not in the same memorable form,
though he often alluded to the coincidence of dates with an obvious
mixture of pride and regret--perhaps we ought to say, remorse.
We have met with no account of him whatever by any one who knew him
familiarly at that period. That he was as careless and inattentive to
the proper studies of the place, as he represents his Gurney to have
been, will not be thought improbable by most of his readers. But his
early performances, now forgotten, display many otiose quotations
from the classics, and even from the modern Latin poets; and these
specimens of juvenile pedantry must be allowed to indicate a vein
of ambition which could hardly have failed, with a mind of such
alacrity, to produce some not inconsiderable measure of attainment.
Public-domain text, read in full here on John Shaqi.
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