The Chorus Girl and Other StoriesChekhov, Anton Pavlovich
General
The Chorus Girl and Other Stories
Chekhov, Anton Pavlovich
Chekhov, Anton Pavlovich, 1860-1904 -- Translations into English; Russia -- Social life and customs -- Fiction
"What's the meaning of it?" he thought with horror. "But I . . .
do I love her or not? That's the question!"
And she breathed easily and freely now that the worst and most
difficult thing was said. She, too, got up, and looking Ivan
Alexeyitch straight in the face, began talking rapidly, warmly,
irrepressibly.
As a man suddenly panic-stricken cannot afterwards remember the
succession of sounds accompanying the catastrophe that overwhelmed
him, so Ognev cannot remember Vera's words and phrases. He can only
recall the meaning of what she said, and the sensation her words
evoked in him. He remembers her voice, which seemed stifled and
husky with emotion, and the extraordinary music and passion of her
intonation. Laughing, crying with tears glistening on her eyelashes,
she told him that from the first day of their acquaintance he had
struck her by his originality, his intelligence, his kind intelligent
eyes, by his work and objects in life; that she loved him passionately,
deeply, madly; that when coming into the house from the garden in
the summer she saw his cape in the hall or heard his voice in the
distance, she felt a cold shudder at her heart, a foreboding of
happiness; even his slightest jokes had made her laugh; in every
figure in his note-books she saw something extraordinarily wise and
grand; his knotted stick seemed to her more beautiful than the
trees.
The copse and the wisps of mist and the black ditches at the side
of the road seemed hushed listening to her, whilst something strange
and unpleasant was passing in Ognev's heart. . . . Telling him of
her love, Vera was enchantingly beautiful; she spoke eloquently and
passionately, but he felt neither pleasure nor gladness, as he would
have liked to; he felt nothing but compassion for Vera, pity and
regret that a good girl should be distressed on his account. Whether
he was affected by generalizations from reading or by the insuperable
habit of looking at things objectively, which so often hinders
people from living, but Vera's ecstasies and suffering struck him
as affected, not to be taken seriously, and at the same time
rebellious feeling whispered to him that all he was hearing and
seeing now, from the point of view of nature and personal happiness,
was more important than any statistics and books and truths. . . .
And he raged and blamed himself, though he did not understand exactly
where he was in fault.
To complete his embarrassment, he was absolutely at a loss what to
say, and yet something he must say. To say bluntly, "I don't love
you," was beyond him, and he could not bring himself to say "Yes,"
because however much he rummaged in his heart he could not find one
spark of feeling in it. . . .
He was silent, and she meanwhile was saying that for her there was
no greater happiness than to see him, to follow him wherever he
liked this very moment, to be his wife and helper, and that if he
went away from her she would die of misery.
Public-domain text, read in full here on John Shaqi.
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