Nadyezhda Lvovna looked at me and laughed. I laughed too. She was probably amused by what Grontovsky had so enjoyed--that is, the right of giving or withholding permission; my visit suddenly struck me as queer and strange. "I don't like to break the long-established rules," said Madame Kandurin. "Shooting has been forbidden on our estate for the last six years. No!" she shook her head resolutely. "Excuse me, I must refuse you. If I allow you I must allow others. I don't like unfairness. Either let all or no one." "I am sorry!" I sighed. "It's all the sadder because we have come more than ten miles. I am not alone," I added, "Prince Sergey Ivanitch is with me." I uttered the prince's name with no _arrière pensée_, not prompted by any special motive or aim; I simply blurted it out without thinking, in the simplicity of my heart. Hearing the familiar name Madame Kandurin started, and bent a prolonged gaze upon me. I noticed her nose turn pale. "That makes no difference . . ." she said, dropping her eyes. As I talked to her I stood at the window that looked out on the shrubbery. I could see the whole shrubbery with the avenues and the ponds and the road by which I had come. At the end of the road, beyond the gates, the back of our chaise made a dark patch. Near the gate, with his back to the house, the prince was standing with his legs apart, talking to the lanky Grontovsky. Madame Kandurin had been standing all the time at the other window. She looked from time to time towards the shrubbery, and from the moment I mentioned the prince's name she did not turn away from the window. "Excuse me," she said, screwing up her eyes as she looked towards the road and the gate, "but it would be unfair to allow you only to shoot. . . . And, besides, what pleasure is there in shooting birds? What's it for? Are they in your way?" A solitary life, immured within four walls, with its indoor twilight and heavy smell of decaying furniture, disposes people to sentimentality. Madame Kandurin's idea did her credit, but I could not resist saying: "If one takes that line one ought to go barefoot. Boots are made out of the leather of slaughtered animals." "One must distinguish between a necessity and a caprice," Madame Kandurin answered in a toneless voice. She had by now recognized the prince, and did not take her eyes off his figure. It is hard to describe the delight and the suffering with which her ugly face was radiant! Her eyes were smiling and shining, her lips were quivering and laughing, while her face craned closer to the panes. Keeping hold of a flower-pot with both hands, with bated breath and with one foot slightly lifted, she reminded me of a dog pointing and waiting with passionate impatience for "Fetch it!" I looked at her and at the prince who could not tell a lie once in his life, and I felt angry and bitter against truth and falsehood, which play such an elemental part in the personal happiness of men.