The Chorus Girl and Other StoriesChekhov, Anton Pavlovich
General
The Chorus Girl and Other Stories
Chekhov, Anton Pavlovich
Chekhov, Anton Pavlovich, 1860-1904 -- Translations into English; Russia -- Social life and customs -- Fiction
The day after my talk with my sister, I was working at the Azhogins'
from morning till night. The rehearsal was fixed for seven o'clock
in the evening, and an hour before it began all the amateurs were
gathered together in the hall, and the eldest, the middle, and the
youngest Azhogins were pacing about the stage, reading from manuscript
books. Radish, in a long rusty-red overcoat and a scarf muffled
round his neck, already stood leaning with his head against the
wall, gazing with a devout expression at the stage. Madame Azhogin
went up first to one and then to another guest, saying something
agreeable to each. She had a way of gazing into one's face, and
speaking softly as though telling a secret.
"It must be difficult to paint scenery," she said softly, coming
up to me. "I was just talking to Madame Mufke about superstitions
when I saw you come in. My goodness, my whole life I have been
waging war against superstitions! To convince the servants what
nonsense all their terrors are, I always light three candles, and
begin all my important undertakings on the thirteenth of the month."
Dolzhikov's daughter came in, a plump, fair beauty, dressed, as
people said, in everything from Paris. She did not act, but a chair
was set for her on the stage at the rehearsals, and the performances
never began till she had appeared in the front row, dazzling and
astounding everyone with her fine clothes. As a product of the
capital she was allowed to make remarks during the rehearsals; and
she did so with a sweet indulgent smile, and one could see that she
looked upon our performance as a childish amusement. It was said
she had studied singing at the Petersburg Conservatoire, and even
sang for a whole winter in a private opera. I thought her very
charming, and I usually watched her through the rehearsals and
performances without taking my eyes off her.
I had just picked up the manuscript book to begin prompting when
my sister suddenly made her appearance. Without taking off her cloak
or hat, she came up to me and said:
"Come along, I beg you."
I went with her. Anyuta Blagovo, also in her hat and wearing a dark
veil, was standing behind the scenes at the door. She was the
daughter of the Assistant President of the Court, who had held that
office in our town almost ever since the establishment of the circuit
court. Since she was tall and had a good figure, her assistance was
considered indispensable for _tableaux vivants_, and when she
represented a fairy or something like Glory her face burned with
shame; but she took no part in dramatic performances, and came to
the rehearsals only for a moment on some special errand, and did
not go into the hall. Now, too, it was evident that she had only
looked in for a minute.
"My father was speaking about you," she said drily, blushing and
not looking at me. "Dolzhikov has promised you a post on the
railway-line. Apply to him to-morrow; he will be at home."
I bowed and thanked her for the trouble she had taken.
Public-domain text, read in full here on John Shaqi.
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