The Chorus Girl and Other StoriesChekhov, Anton Pavlovich
General
The Chorus Girl and Other Stories
Chekhov, Anton Pavlovich
Chekhov, Anton Pavlovich, 1860-1904 -- Translations into English; Russia -- Social life and customs -- Fiction
"One comes to look at comfort and luxury as the invariable privilege
of capital and education," I said, "and it seems to me that the
comforts of life may be combined with any sort of labour, even the
hardest and dirtiest. Your father is rich, and yet he says himself
that it has been his lot to be a mechanic and an oiler."
She smiled and shook her head doubtfully: "My father sometimes eats
bread dipped in kvass," she said. "It's a fancy, a whim!"
At that moment there was a ring and she got up.
"The rich and well-educated ought to work like everyone else," she
said, "and if there is comfort it ought to be equal for all. There
ought not to be any privileges. But that's enough philosophizing.
Tell me something amusing. Tell me about the painters. What are
they like? Funny?"
The doctor came in; I began telling them about the painters, but,
being unaccustomed to talking, I was constrained, and described
them like an ethnologist, gravely and tediously. The doctor, too,
told us some anecdotes of working men: he staggered about, shed
tears, dropped on his knees, and, even, mimicking a drunkard, lay
on the floor; it was as good as a play, and Mariya Viktorovna laughed
till she cried as she looked at him. Then he played on the piano
and sang in his thin, pleasant tenor, while Mariya Viktorovna stood
by and picked out what he was to sing, and corrected him when he
made a mistake.
"I've heard that you sing, too?" I enquired.
"Sing, too!" cried the doctor in horror. "She sings exquisitely, a
perfect artist, and you talk of her 'singing too'! What an idea!"
"I did study in earnest at one time," she said, answering my question,
"but now I have given it up."
Sitting on a low stool she told us of her life in Petersburg, and
mimicked some celebrated singers, imitating their voice and manner
of singing. She made a sketch of the doctor in her album, then of
me; she did not draw well, but both the portraits were like us. She
laughed, and was full of mischief and charming grimaces, and this
suited her better than talking about the mammon of unrighteousness,
and it seemed to me that she had been talking just before about
wealth and luxury, not in earnest, but in imitation of someone. She
was a superb comic actress. I mentally compared her with our young
ladies, and even the handsome, dignified Anyuta Blagovo could not
stand comparison with her; the difference was immense, like the
difference between a beautiful, cultivated rose and a wild briar.
We had supper together, the three of us. The doctor and Mariya
Viktorovna drank red wine, champagne, and coffee with brandy in it;
they clinked glasses and drank to friendship, to enlightenment, to
progress, to liberty, and they did not get drunk but only flushed,
and were continually, for no reason, laughing till they cried. So
as not to be tiresome I drank claret too.
Public-domain text, read in full here on John Shaqi.
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