Now we have grounds for assuming that the later Jewish custom at the Feast of Purim of hanging upon a gibbet and burning a picture or effigy representing the evil Haman, originally consisted, as at Babylon, in the putting to death of a real man, some criminal condemned to death. Here, too, then was seen not only a representative of Haman, but one also of Mordecai, a representative of the old as well as of the new year, who in essence was one and the same being. While the former was put to death at the Purim feast, the latter, a criminal chosen by lot, was given his freedom on this occasion, clothed with the royal insignia of the dead man and honoured as the representative of Mordecai rewarded by Ahasuerus for his services. "Mordecai," it is said in the Book of Esther, "went out from the king in royal attire, gold and white, with a great crown of gold, and covered with a robe of linen and purple. And the town of Susa rejoiced and was merry." [82] Frazer has discovered that in this description we have before us the picture of an old Babylonian king of the Sakæes, who represented Marduk, as he entered the chief town of the country side, and thus introduced the new year. At the same time it appears that in reality the procession of the mock king was less serious and impressive than the author of the Book of Esther would out of national vanity make us believe. Thus Lagarde has drawn attention to an old Persian custom which used to be observed every year at the beginning of spring in the early days of March, which is known as "the Ride of the Beardless One." [83] On this occasion a beardless and, when possible, one-eyed yokel, naked, and accompanied by a royal body-guard and a troop of outriders, was conducted in solemn pomp through the city seated upon an ass, amidst the acclamations of the crowd, who bore branches of palm and cheered the mock king. He had the right to collect contributions from the rich people and shopkeepers along the route which he followed. Part of these went into the coffers of the king, part were assigned to the collector, and he could without more ado appropriate the property of another in case the latter refused his demands. He had, however, to finish his progress and disappear within a strictly limited time, for in default of this he exposed himself to the danger of being seized by the crowd and mercilessly cudgelled to death. People hoped that from this procession of "the Beardless One" an early end of winter and a good year would result. From this it appears that here too we have to do with one of those innumerable and multiform spring customs, which at all times and among the most diverse nations served to hasten the approach of the better season. The Persian "Beardless One" corresponded with the Babylonian king of the Sakæes, and appears to have represented the departing winter. Frazer concludes from this that the criminal also who played the part of the Jewish "Mordecai"