Now the Sun and Summer God Balder is only a form of Odin, the Father of Heaven, with summer attributes, and he too is said, like Attis, Adonis and Osiris, to have met his death through a wild boar. Just as anemones sprang from the blood of the slain Adonis and violets from that of Attis, so also the blood of the murdered Odin (Hackelbernd) is said to have been changed into spring flowers. [154] At the great feast of Attis in March a post or pine-tree trunk decked with violets, on which the picture of the God was hung, used to form the central point of the rite. This was a reminder of the way in which in ancient times the human representative of the God passed from life to death, in order by sacrifice to revive exhausted nature. According to the verses of the Eddic Havamal, Odin says of himself:-- "I know that I hang on the wind-rocked tree Throughout nine nights, Wounded by the spear, dedicated to Odin, I myself to myself." [155] By this self-sacrifice and the agonies which he endured, the northern God, too, obtained new strength and life. For on this occasion he not only discovered the Runes of magic power, the knowledge of which made him lord over nature, but he obtained possession at the same time of the poetic mead which gave him immortality and raised the Nature God to be a God of spiritual creative power and of civilisation. This is obviously the same idea as is again found in the cult of Attis and in the belief in the death of the God. The relationship of all these different views seems still more probable in that a sacrificial rite lay at the root of the Balder myth also. This myth is only, so to speak, the text of a religious drama which was performed every year for the benefit of dying nature--a drama in which a man representing the God was delivered over to death. [156] As all this refers to the fate of a Sun God, who dies in winter to rise again in the spring, the same idea must have been associated originally with the worship of the Nearer Asiatic Gods of vegetation and fruitfulness, and this idea was only altered under changed climatic conditions into that of the death and resurrection of the plant world, without, however, losing in its new form its original connection with the sun and winter. At the same time the myth of the Sun God does not take us to the very basis and the real kernel of the stories of the divine child's birth. The Persian religion was not so much a religion of Light and Sun as of Fire, the most important and remarkable manifestation of which was of course the sun. Dionysus too, like all Gods of the life-warmth, of the rising plant sap and of fruitfulness, was in his deepest nature a Fire God. In the Fire Religion, however, the birth of the God forms the centre of all religious ideas; and its form was more exactly fixed through the peculiar acts by means of which the priest rekindled the holy fire.