The square was a centre of gaiety. Theatres and music halls lined two of
its sides, and the gas on their facades and the beacons on their roofs
were beginning to burn brightly in the fading daylight. With skips and
leaps the girls passed over to the doors of these palaces, and peered
with greedy eyes through lines of policemen and doorkeepers in livery at
gentlemen, in shields of shirt-front and ladies in light cloaks and long
white gloves stepping out of gorgeous carriages into gorgeous halls.
John Storm was looking on at this masquerade when suddenly he became
aware that the flare of coarse lights on the front of the building
before him formed the letters of a word. The word was “GLORIA.” Seeing
it again as he had seen it in the morning, but now identified and
explained, he grew hot and cold by turns, and his brain, which refused
to think, felt like a sail that is flapping idly on the edge of the
wind.
There was a garden in the middle of the square, and he walked round and
round it. He gazed vacantly at a statue in the middle of the garden, and
then walked round the rails again. The darkness was gathering fast, the
gas was beginning to blaze, and he was like a creature in the coil of a
horrible fascination. That word, that name over the music hall, fizzing
and crackling in its hundred lights, seemed to hold him as by an eye of
fire. And remembering what had happened since he left the monastery--the
sandwich men, the boards on the omnibuses, the hoardings on the
walls--it seemed like a fiery finger which had led him to that spot.
Only one thing was clear--that a supernatural power had brought him
there, and that it was intended he should come. Fearfully, shamefully,
miserably, rebuking himself for his doubts, yet conquered and compelled
by them, he crossed the street and entered the music hall.
He was in the pit and it was crowded; not a seat vacant anywhere, and
many persons standing packed in the crush-room at the back. His first
sensation was of being stared at. First the man at the pay-box and then
the check-taker had looked at him, and now he was being looked at by
the people about him. They were both men and girls. Some of the men wore
light frock-coats and talked in the slang of the race-course, some of
the girls wore noticeable hats and showy flowers in their bosoms and
were laughing in loud voices. They made a way for him of themselves, and
he passed through to a wooden barrier that ran round the last of the pit
seats.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account