The music hall was large, and to John Storm's eyes, straight from the
poverty of his cell, it seemed garish in the red and gold of its Eastern
decorations. Men in the pit seats were smoking pipes and cigarettes, and
waiters with trays were hurrying up and down the aisles serving ale and
porter, which they set down on ledges like the book-rests in church. In
the stalls in front, which were not so full, gentlemen in evening dress
were smoking cigars, and there was an arc of the tier above, in which
people in fashionable costumes were talking audibly. Higher yet, and
unseen from that position, there was a larger audience still, whose
voices rumbled like a distant sea. A cloud of smoke filled the
atmosphere, and from time to time there was the sound of popping corks
and breaking glasses and rolling bottles.
The curtain was down, but the orchestra was beginning to play. Two men
in livery came from the sides of the curtain and fixed up large figures
in picture frames that were attached to the wings of the proscenium.
Then the curtain rose and the entertainment was resumed. It was in
sections, and after each performance the curtain was dropped and the
waiters went round with their trays again.
John Storm had seen it all before in the days when, under his father's
guidance, he had seen everything--the juggler, the acrobat, the
step-dancer, the comic singer, the tableaus, and the living picture. He
felt tired and ashamed, yet, he could not bring himself to go away. As
the evening advanced he thought: “How foolish! What madness it was to
think of such a thing!” He was easier after that, and began to listen to
the talk of the people about him. It was free, but not offensive. In the
frequent intervals some of the men played with the girls, pushing and
nudging and joking with them, and the girls laughed and answered back.
Occasionally one of them would turn her head aside and look into John's
face with a saucy smile. “God forbid that I should grudge them their
pleasure!” he thought. “It's all they have, poor creatures!”
But the audience grew noisier as the evening went on. They called to
the singers, made inarticulate squeals, and then laughed at their own
humour. A lady sang a comic song. It described her attempt to climb to
the top of an omnibus on a windy day. John turned to look at the faces
behind him, and every face was red and hot, and grinning and grimacing.
He was still half buried in the monastery he had left that morning, and
he thought: “Such are the nightly pleasures of our people. To-night,
to-morrow night, the night after! O my country, my country!”
He was awakened from these thoughts by an outburst of applause. The
curtain was down and nothing was going on except the putting up of a
new figure in the frames. The figure was 8. Some one behind him said,
“That's her number!” “The new artiste?” said another voice. “Gloria,”
said the first.
Public-domain text, read in full here on John Shaqi.
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