“Being stronger this morning, he has been propped up in bed writing
a letter. When he called for the pens and paper I asked if I couldn't
write it for him, but the old darling made a great mystery of the
matter, and looked artful, and asked if it was usual to fight your enemy
with his own powder and shot. Of course I humoured him and pretended to
be mighty curious, though I think I know who the letter was written to,
all the same that he kept the address side of the envelope hidden even
when the front of it was being sealed. He sealed it with sealing-wax,
and I held the candle while he did so, with his poor trembling fingers
in danger from the light, and then I stamped it with my mother's pearl
ring, and he smuggled it under the pillow.
“Since breakfast he has shown an increased inclination to doze, but
there have been visits from the wardens and from neighbouring parsons,
for a _locum tenens_ has had to be appointed. Of course, they have all
inquired where his pain is, and on being told that he has none, they
have gone downstairs cackling and clucking and crowing in various
versions of 'Praise God for that!' I hate people who are always singing
the doxology.
* * * * *
“Noon.--Condition unchanged, except that in the intervals of drowsiness
his mind has wandered a little. He appears to live in the past. Looking
at me with conscious eyes, he calls me 'Lancelot'--my father's name.
It has been so all the morning. One would think he was walking in a
twilight land where he mistakes people's faces and the dead are as much
alive as the living.
“They all think I am brave, oh, so brave! because I do not cry now, as
everybody else does--even Aunt Anna behind her apron--although my tears
can flow so easily, and at other times I keep them constantly on
tap. But I am really afraid, and down at the bottom of my heart I am
terrified. It is just as if _something_ were coming into the house
slowly, irresistibly, awfully, and casting its shadow on the floor
already.
“I have found out the cause of his outcries in the night. Aunt Rachel
says he was dreaming of my father's departure for Africa. That was
twenty-two years ago, but it seems that the memory of the last day has
troubled him a good deal lately. 'Don't you remember it?' he has been
saying. 'There were no railways in the island then, and we stood at the
gate to watch the coach that was taking him away. He sat on the top
and waved his red handkerchief. And when he had gone, and it was no use
watching, we turned back to the house--you and Anna and poor, pretty
young Elise. He never came back, and when Glory goes again she'll never
come back either.'
Public-domain text, read in full here on John Shaqi.
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