As they walked down the streets he talked first of the church
officers--there were honorary wardens, gentlemen sidesmen, and lady
superintendents of floral decorations; then of the choir, which
consisted of organist and choir master, professional members, voluntary
members, and choir secretary. The anthem was sung by a professional
singer, generally the tenor from the opera; the canon could always
get such people--he was a great favourite with artistes and “the
profession.” Of course, the singers were paid, and the difficulty this
week had been due to the exorbitant fee demanded by the Italian barytone
from Covent Garden.
Disappointment and disenchantment were falling on John Storm at every
step.
All Saints' was a plain, dark structure with a courtyard in front.
The bells were ringing, and a line of carriages was drawing up at the
portico as at the entrance to a theatre, discharging their occupants
and passing on. Vergers in yellow and buff, with knee-breeches, silk
stockings, and powdered wigs, were receiving the congregation at the
doors.
“Let us go in by the west door--I should like you to see the screen to
advantage,” said Mr. Golightly.
The inside of the church was gorgeous. As far up as the clerestory
every wall was frescoed, and every timber of the roof was gilded. At the
chancel end there was a wrought-iron screen of delicate tracery, and the
altar was laden with gold candlesticks. Above the altar and at either
side of it were stained glass windows. The morning sun was shining
through them and filling the chancel with warm splashes of light. Ladies
in beautiful spring dresses were following the vergers up the aisles.
“This way,” the curate whispered, and John Storm entered the sacristy by
a low doorway like the auditorium entrance to a stage. There he met
some six others of his fellow-curates. They nodded to him and went
on arranging their surplices. The choir were gathering in their own
quarters, where the violins were tuning up and the choir boys were
laughing and behaving after their kind.
The bell slackened and stopped, and the organ began to play. When all
were ready they stepped into a long corridor and formed in line with
their faces to the chancel and their backs to a little door, at which a
verger in blue stood guard.
“The canon's room,” whispered Mr. Golightly.
A prayer was said by some one, the choir sang the response, and then
they walked in procession to their places in the chancel, the choir
boys first, the canon last. Seen through the tracery of the screen, the
congregation appeared to fill every sitting in the church with a blaze
of light and colour, and the atmosphere was laden with delicate perfume.
The service was choral. An anthem was sung at the close of the sermon,
the collection being made during the hymn before it. The professional
singer looked like any other chorister in his surplice, save for his
swarthy face and heavy mustache.
Public-domain text, read in full here on John Shaqi.
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