The Christmas Banquet (From "Mosses from an Old Manse")Hawthorne, Nathaniel
General
The Christmas Banquet (From "Mosses from an Old Manse")
Hawthorne, Nathaniel
New England -- Social life and customs -- Fiction; Short stories
“Would that he could teach me somewhat!” said Gervayse Hastings,
drawing a long breath. “Men pass before me like shadows on the wall;
their actions, passions, feelings, are flickerings of the light, and
then they vanish! Neither the corpse, nor yonder skeleton, nor this old
woman’s everlasting tremor, can give me what I seek.”
And then the company departed.
We cannot linger to narrate, in such detail, more circumstances of
these singular festivals, which, in accordance with the founder’s will,
continued to be kept with the regularity of an established institution.
In process of time the stewards adopted the custom of inviting, from
far and near, those individuals whose misfortunes were prominent above
other men’s, and whose mental and moral development might, therefore,
be supposed to possess a corresponding interest. The exiled noble of
the French Revolution, and the broken soldier of the Empire, were alike
represented at the table. Fallen monarchs, wandering about the earth,
have found places at that forlorn and miserable feast. The statesman,
when his party flung him off, might, if he chose it, be once more a
great man for the space of a single banquet. Aaron Burr’s name appears
on the record at a period when his ruin—the profoundest and most
striking, with more of moral circumstance in it than that of almost any
other man—was complete in his lonely age. Stephen Guard, when his
wealth weighed upon him like a mountain, once sought admittance of his
own accord. It is not probable, however, that these men had any lesson
to teach in the lore of discontent and misery which might not equally
well have been studied in the common walks of life. Illustrious
unfortunates attract a wider sympathy, not because their griefs are
more intense, but because, being set on lofty pedestals, they the
better serve mankind as instances and bywords of calamity.
It concerns our present purpose to say that, at each successive
festival, Gervayse Hastings showed his face, gradually changing from
the smooth beauty of his youth to the thoughtful comeliness of manhood,
and thence to the bald, impressive dignity of age. He was the only
individual invariably present. Yet on every occasion there were
murmurs, both from those who knew his character and position, and from
them whose hearts shrank back as denying his companionship in their
mystic fraternity.
“Who is this impassive man?” had been asked a hundred times. “Has he
suffered? Has he sinned? There are no traces of either. Then wherefore
is he here?”
“You must inquire of the stewards or of himself,” was the constant
reply. “We seem to know him well here in our city, and know nothing of
him but what is creditable and fortunate. Yet hither he comes, year
after year, to this gloomy banquet, and sits among the guests like a
marble statue. Ask yonder skeleton, perhaps that may solve the riddle!”
Public-domain text, read in full here on John Shaqi.
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