“I think he meant what he sayd an’ ’ud ’a’ kep’ his promise ef it hedn’t
’a’ ben that a woman interfered with his good intentions. She was Pet
Parsley--Widdy Parsley, who lived with her mother back in Buzzard
Walley. Borax hed a shine fer her afore she merried, an’ after she become
a widdy he was wus ’an ever. One night at a ban’ festival, ’hen she was
standin’ sellin’ at the ice-crim counter, he was a-jollyin’ her. Now he
noticed that young Bill Hooker, who’d tuk his place in the ban’, was
makin’ eyes at her over the top o’ his bass-horn while he was playin’.
That near drove Bumbletree mad, fer him an’ Bill hed ben runnin’ neck an’
neck, an’ he knowd they was approachin’ the string.
“‘Don’t Mr. Hooker play gran’?’ sais Pet kind o’ timid like.
“‘Well, I don’t know,’ answers Borax, ‘I’ve heerd better.’
“‘Oh, hev ye,’ sais she, kind o’ perkin’ up her nose. ’I ’low you’re
jealous. Can you play at all?’
“‘Well, can I?’ sais Borax. ‘Why, I can blow all ’round him.’
“‘I’d like to hear you,’ sais Pet. ‘Won’t you come an’ blow fer me
sometim’?’
“‘I will,’ he answers, wery determined.
“He went home that night bound to git time an’ pitch together. He started
to practise ’round the house but his fam’ly objected. The missus ’lowed
she could never play the ’cordine with sech a bellerin’ goin’ on. Amandy
Lucy went so fur ez to say it ’ud ruin her voice. But that didn’t stop
Borax. He sayd he’d practise ’way from the house. Every night after the
feedin’ was done he use to take his horn, his music marks an’ a lantern,
an’ go out on the hill ahint the barn. There, settin’ on a lawg, with
the lantern hangin’ on a saplin’, he’d blow away. Many a night that
summer ez I set over at our placet on the next ridge, I’d hear Borax a
boom-boom-boomin’ to git the time. The big tones ’ud go echoin’ way over
in the mo’ntain. Oncet in a while he’d hit it good, an’ I tell you uns
it sounded pretty to hear them notes a-rollin’ deep acrosst the gut,
a-sighin’ th’oo the trees an’ a-dyin’ way off in the woods.
“Then he tuk up pitch. He blowed pitch fer a week an’ then tried pitch
an’ time together. I thot he was doin’ pretty well. Still them ban’ boys
wasn’t satisfied. They sayd he didn’t go up an’ down right, an’ that they
couldn’t hev him a-blowin’ ’way at pitch an’ time an’ never makin’ no
new notes. He ’lowed to me that they was a heap to learn ’bout blowin’ a
bass-horn, but he was goin’ to git it ef it ’ud only be of uset in the
next worl’.
“At nights I could see his light a-twinklin’ in the woods acrosst the
gut an’ hear him tryin’ to blow time an’ pitch an’ ups an’ downs all at
oncet. He’d git his wind fixed to blow _A_, an’ out ’ud come a _C_; or
he’d try fer a _D_ an’ land an _E_. He ’lowed to me oncet that sometim’
he thot mebbe it was willed that he was never to git a tune. But he kep’
at it.
Public-domain text, read in full here on John Shaqi.
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