“Then come the Lander’s big party. It was the last o’ the season fer the
hot weather was near ’hen they wasn’t no time fer swingin’ corners, let
alone the overheatin’ that ’ud come by it, so everybody in the walley
was there. Young an’ old danced that night. They was three sets in the
settin’-room an’ two in the kitchen; they was two in the entry an’ one on
the porch. Save fer layin’ off at ten o’clock fer sweet-cake an’ cider we
done wery leetle restin’. They was mighty few wanted to rest much ’hen
Hiram Gum played. He’d no sooner tuk his placet in the corner then every
inch o’ the floor was covered with sets. Bow yer corners! an’ we was off.”
The old man beat his stick on the porch and waved his body to and fro.
“My, but that was fiddlin’! It jest went th’oo a man like one o’ them
’lectric shockin’ machines. Yer feet was started an’ away ye went; ole
Hiram settin’ there with his withered arm crooked up to hold the fiddle,
the long, crooked fingers flyin’ over the strings, the bow goin’ so
fast ye could hairdly see it, his big black eyes lookin’ down inter the
instermen’, his long hair an’ beard wavin’ ez he swung to an’ fro. Now
yer own! Oh, them was dancin’ days ’hen Hi Gum played!
“They never was a more inweterate hat-passer then Hiram, fer be his
playin’ he made his livin’, an’ never a note ’ud he make tell they was
fifty cents in his ole white beaver. Then he’d play that out an’ ’round
he’d come agin. That night he didn’t ast a cent, but jest sat there glum
an’ never oncet stopped the music.
“Susan was a wonderful dancer--jest ez quick ez a flash, untirin’, an’
so light on her feet that ye felt like ye was holtin’ to a fairy ’hen
ye swung corners with her. She was on the floor continual’. I done one
set with her an’ noticed how she could scarce keep her eyes offen Hi. She
only danced one set with McCullagh an’ lay kind o’ limp like in swingin’
corners an’ didn’t say nawthin’, so ’hen they finished he left the house.
I seen him go out o’ the door with a black look in his face.
Public-domain text, read in full here on John Shaqi.
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