“Most all hed gone ’hen I left Lander’s airly in the mornin’. We lived
over the river, an’ ez they wasn’t no bridge we use to cross in a couple
o’ ole boats that was kep’ tied along the bank jest below the canal lock.
I went down over the flat an’ th’oo the woods tell I come to the canal,
where I crossed the lock an’ walked along the towpath, whistlin’ all the
time fer company. It was a clear night. The moon was shinin’ bright th’oo
the trees. The canal was on one side o’ me, an’ th’oo the open places in
the bushes on the other I could see the river gleamin’ along. I got to
the bend jest a couple of hundred yards above where the boats lay an’ was
jest steppin’ out inter the clearin’ there ’hen sudden I heard a loud
voice. I stopped. Then it come louder, an’ I recognized Jawhn McCullagh’s
rough talk. I went cautious tell I was out o’ the woods. There, jest
ahead, I seen him, near the path, facin’ ole Hiram Gum, who, with his
fiddle under his arm, was standin’ with his back to the canal, lookin’
quiet at the big felly. I dropped to the ground an’ watched, scarce
breathin’ I was so excited.
“Jawhn raised a heavy stick, an’ shook it, an’ stepped slow-like toward
the leetle fiddler, crowdin’ him nearer the bank.
“‘Hiram Gum!’ he sayd, ‘I’ve hed ’nough o’ you. Git out o’ this country
an’ never come back, or you’ll never fiddle agin!’
“Hiram lowered his fiddle an’ answered, ‘You can’t skeer me, Jawhn
McCullagh, fer Susan doesn’t keer fer you!’
“‘You sha’n’t run off with her!’ the other yelled, shakin’ his stick.
“I could see his face workin’ ez he swung his club up an’ down, an’
step be step kep’ edgin’ the leetle felly nearer the wotter. I jest lay
tremblin’, I was that frightened, fer I was but a lad in them days. I
knowd I otter run out an’ stop it, but ’fore I got me couritch up I hear
the soft notes o’ the fiddle. There was ole Hiram with his withered hand
holdin’ the instermen’, his long fingers flyin’ over the strings, the bow
slidin’ slow like up an’ down.
“‘Swing yer corners, Jawhn!’ he cried, fixin’ them black eyes on the big
feller.
“Then the notes come quick an’ short. Jawhn’s stick dropped, an’ his arm
fell limp like. He passed one hand confused over his forehead. He bowed.
The notes come faster. In another minute he was swingin’ corners with
his arms graspin’ the air. The dead sticks cracked under his feet ez he
flung around. An’ ez ole Hi called the figgers he followed him, yellin’
’em louder an’ kickin’ like mad. It was the wildest dancin’ ever I seen.
He bowed an’ twisted, back’ard an’ for’a’d, an’ chassayed an’ chained,
his feet movin’ faster an’ faster ez the notes come quicker an’ quicker
an’ the bow slid to an’ fro like lightnin’. Ole Hiram kep’ movin’ ’round
cautious like, never takin’ his eyes off the dancer tell he was on the
river side an’ Jawhn skippin’ ’round on the beaten towpath.
Public-domain text, read in full here on John Shaqi.
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