The Chronicles of Aunt Minervy AnnHarris, Joel Chandler
General
The Chronicles of Aunt Minervy Ann
Harris, Joel Chandler
Georgia -- Social life and customs -- Fiction; United States -- Social life and customs -- 19th century -- Fiction
“Well, suh, Jesse tuck atter his ma in looks, but ’stidder playin’ de
peanner, he l’arnt how ter play de fiddle, an’ by de time he wuz twelve
year ol’, he could make it talk. Hit’s de fatal trufe, suh; he could make
it talk. You hear folks playin’ de fiddle, an’ you know what dey doin’;
you kin hear de strings a-plunkin’ an’ you kin hear de bow raspin’ on
um on ’count de rozzum, but when Jesse Towers swiped de bow cross his
fiddle, ’twa’n’t no fiddle—’twuz human; I ain’t tellin’ you no lie, suh,
’twuz human. Dat chile could make yo’ heart ache; he could fetch yo’ sins
up befo’ you. Don’t tell me! many an’ many a night when I hear Jesse
Towers playin’, I could shet my eyes an’ hear my childun cryin’, dem
what been dead an’ buried long time ago. Don’t make no diffunce ’bout de
chune, reel, jig, er promenade, de human cryin’ wuz behime all un um.
“Bimeby, Jesse got so dat he didn’t keer nothin’ ’tall ’bout books. It
uz fiddle, fiddle, all day long, an’ half de night ef dey’d let ’im. Den
folks ’gun ter talk. No need ter tell you what all dey say. De worl’
over, fum what I kin hear, dey got de idee dat a fiddle is a free pass
ter whar ole Scratch live at. Well, suh, Jesse got so he’d run away fum
school an’ go off in de woods an’ play his fiddle. Hamp use ter come ’pon
’im when he haulin’ wood, an’ he say dat fiddle ain’t soun’ no mo’ like
de fiddles what you hear in common dan a flute soun’ like a bass drum.
“Now you know yo’se’f, suh, dat dis kinder doin’s ain’t gwine ter suit
Marse Gabe Towers. Time he hear un it, he put his foot down on fiddler,
an’ fiddle, an’ fiddlin’. Ez you may say, he sot down on de fiddle an’
smash it. Dis happen when Jesse wuz sixteen year ol’, an’ by dat time he
wuz mo’ in love wid de fiddle dan what he wuz wid his gran’daddy. An’ so
dar ’twuz. He ain’t look like it, but Jesse wuz about ez high strung ez
his fiddle wuz, an’ when his gran’daddy laid de law down, he sol’ out his
pony an’ buggy an’ made his disappearance fum dem parts.
“Well, suh, ’twa’n’t so mighty often you’d hear sassy talk ’bout Marse
Gabe Towers, but you could hear it den. Folks is allers onreasonable wid
dem dey like de bes’; you know dat yo’se’f, suh. Marse Gabe ain’t make
no ’lowance fer Jesse, an’ folks ain’t make none fer Marse Gabe. Marse
Tumlin wuz dat riled wid de man dat dey come mighty nigh havin’ a fallin’
out. Dey had a splutter ’bout de time when sump’n n’er had happen, an’
atter dey wrangle a little, Marse Tumlin sot de date by sayin’ dat ’twuz
‘a year ’fo’ de day when Jess went a-fiddlin’.’ Dat sayin’ kindled de
fier, suh, an’ it spread fur an’ wide. Marse Tom Chippendale say dat
folks what never is hear tell er de Towerses went ’roun’ talkin’ ’bout
‘de time when Jess went a-fiddlin’.’”
Aunt Minervy Ann chuckled over this, probably because she regarded it as
a sort of victory for Major Tumlin Perdue. She went on:
Public-domain text, read in full here on John Shaqi.
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