The Chronicles of Aunt Minervy AnnHarris, Joel Chandler
General
The Chronicles of Aunt Minervy Ann
Harris, Joel Chandler
Georgia -- Social life and customs -- Fiction; United States -- Social life and customs -- 19th century -- Fiction
It is a fact that Aunt Minervy Ann’s great-grandmother, who lived to be
a hundred and twenty years old, had an eagle tattooed on her breast, the
mark of royalty. The brother of this princess, Qua, who died in Augusta
at the age of one hundred years, had two eagles tattooed on his breast.
This, taken in connection with his name, which means The Eagle, shows
that he was either the ruler of his tribe or the heir apparent. The
prince and princess were very small, compared with the average African,
but the records kept by a member of the Clopton family show that during
the Revolution Qua performed some wonderful feats, and went through some
strange adventures in behalf of liberty. He was in his element when war
was at its hottest—and it has never been hotter in any age or time, or
in any part of the world, savage or civilized, than it was then in the
section of Georgia now comprised in the counties of Burke, Columbia,
Richmond, and Elbert.
However, that has nothing to do with Aunt Minervy Ann Perdue; but her
relationship to Qua and to the royal family of his tribe, remote though
it was, accounted for the most prominent traits of her character,
and many contradictory elements of her strong and sharply defined
individuality. She had a bad temper, and was both fierce and fearless
when it was aroused; but it was accompanied by a heart as tender and
a devotion as unselfish as any mortal ever possessed or displayed.
Her temper was more widely advertised than her tenderness, and her
independence more clearly in evidence than her unselfish devotion, except
to those who knew her well or intimately.
And so it happened that Aunt Minervy Ann, after freedom gave her the
privilege of showing her extraordinary qualities of self-sacrifice,
walked about in the midst of the suspicion and distrust of her own race,
and was followed by the misapprehensions and misconceptions of many of
the whites. She knew the situation and laughed at it, and if she wasn’t
proud of it her attitude belied her.
It was at the moment of transition from the old conditions to the new
that I had known Aunt Minervy Ann and the persons in whom she was so
profoundly interested, and she and they, as I have said, had a place
apart in my memory and experience. I also remembered Hamp, Aunt Minervy
Ann’s husband, and the queer contrast between the two. It was mainly
on account of Hamp, perhaps, that Aunt Minervy Ann was led to take
such a friendly interest in the somewhat lonely youth who was editor,
compositor, and pressman of Halcyondale’s ambitious weekly newspaper in
the days following the collapse of the confederacy.
Public-domain text, read in full here on John Shaqi.
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