The Chronicles of Aunt Minervy AnnHarris, Joel Chandler
General
The Chronicles of Aunt Minervy Ann
Harris, Joel Chandler
Georgia -- Social life and customs -- Fiction; United States -- Social life and customs -- 19th century -- Fiction
From there he passed to the forms where the advertisements remained
standing. He passed his thumb over the type and looked at it critically.
“Dey er mighty skeer’d dey’ll git all de ink off,” was his comment. Do
what he would, Hamp couldn’t hide his embarrassment.
Meanwhile, Major Perdue scratched off a few lines in pencil. “I wish
you’d get this in Tuesday’s paper,” he said. Then he read: “The Hon.
Hampton Tumlin, recently elected a member of the Legislature, paid us a
pop-call last Saturday. We are always pleased to meet our distinguished
fellow-townsman and representative. We trust Hon. Hampton Tumlin will
call again when the Ku-Klux are in.”
“Why, certainly,” said I, humoring the joke.
“Sholy you-all ain’t gwine put dat in de paper, is you?” inquired Hamp,
in amazement.
“Of course,” replied the Major; “why not?”
“Kaze, ef you does, I’m a ruint nigger. Ef ’Nervy Ann hear talk ’bout
my name an’ entitlements bein’ in de paper, she’ll quit me sho. Uh-uh!
I’m gwine ’way fum here!” With that Hamp bowed and disappeared. The
Major chuckled over his little joke, but soon returned to his newspaper.
For a quarter of an hour there was absolute quiet in the room, and, as
it seemed, in the entire building, which was a brick structure of two
stories, the stairway being in the centre. The hallway was, perhaps,
seventy-five feet long, and on each side, at regular intervals, there
were four rooms, making eight in all, and, with one exception, variously
occupied as lawyers’ offices or sleeping apartments, the exception being
the printing-office in which Major Perdue and I were sitting. This was at
the extreme rear of the hallway.
[Illustration: “Sholy you-all ain’t gwine put dat in de paper, is you?”]
I had frequently been struck by the acoustic properties of this hallway.
A conversation carried on in ordinary tones in the printing-office could
hardly be heard in the adjoining room. Transferred to the front rooms,
however, or even to the sidewalk facing the entrance to the stairway,
the lightest tone was magnified in volume. A German professor of music,
who for a time occupied the apartment opposite the printing-office,
was so harassed by the thunderous sounds of laughter and conversation
rolling back upon him that he tried to remedy the matter by nailing two
thicknesses of bagging along the floor from the stairway to the rear
window. This was, indeed, something of a help, but when the German left,
being of an economical turn of mind, he took his bagging away with him,
and once more the hallway was torn and rent, as you may say, with the
lightest whisper.
Public-domain text, read in full here on John Shaqi.
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