In the dull, cheerless garden, overlooked by so many windows that were
ready to open with a message not to do this or that, or a reminder that
medicines were due, he found little attraction. The few fruit-trees
that it contained were set jealously apart from his plucking, as though
they were rare specimens of their kind blooming in an arid waste; it
would probably have been difficult to find a market-gardener who would
have offered ten shillings for their entire yearly produce. In a
forgotten corner, however, almost hidden behind a dismal shrubbery, was
a disused tool-shed of respectable proportions, and within its walls
Conradin found a haven, something that took on the varying aspects of a
playroom and a cathedral. He had peopled it with a legion of familiar
phantoms, evoked partly from fragments of history and partly from his
own brain, but it also boasted two inmates of flesh and blood. In one
corner lived a ragged-plumaged Houdan hen, on which the boy lavished an
affection that had scarcely another outlet. Further back in the gloom
stood a large hutch, divided into two compartments, one of which was
fronted with close iron bars. This was the abode of a large
polecat-ferret, which a friendly butcher-boy had once smuggled, cage
and all, into its present quarters, in exchange for a long-secreted
hoard of small silver. Conradin was dreadfully afraid of the lithe,
sharp-fanged beast, but it was his most treasured possession. Its very
presence in the tool-shed was a secret and fearful joy, to be kept
scrupulously from the knowledge of the Woman, as he privately dubbed
his cousin. And one day, out of Heaven knows what material, he spun
the beast a wonderful name, and from that moment it grew into a god and
a religion. The Woman indulged in religion once a week at a church
near by, and took Conradin with her, but to him the church service was
an alien rite in the House of Rimmon. Every Thursday, in the dim and
musty silence of the tool-shed, he worshipped with mystic and elaborate
ceremonial before the wooden hutch where dwelt Sredni Vashtar, the
great ferret. Red flowers in their season and scarlet berries in the
winter-time were offered at his shrine, for he was a god who laid some
special stress on the fierce impatient side of things, as opposed to
the Woman's religion, which, as far as Conradin could observe, went to
great lengths in the contrary direction. And on great festivals
powdered nutmeg was strewn in front of his hutch, an important feature
of the offering being that the nutmeg had to be stolen. These
festivals were of irregular occurrence, and were chiefly appointed to
celebrate some passing event. On one occasion, when Mrs. de Ropp
suffered from acute toothache for three days, Conradin kept up the
festival during the entire three days, and almost succeeded in
persuading himself that Sredni Vashtar was personally responsible for
the toothache. If the malady had lasted for another day the supply of
Public-domain text, read in full here on John Shaqi.
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