The Church of Grasmere: A HistoryArmitt, Mary L. (Mary Louisa)
History
The Church of Grasmere: A History
Armitt, Mary L. (Mary Louisa)
St. Oswald's Church (Grasmere, England)
No doubt this is the fine old pew which still stands between the
pulpit and the priest's door of the chancel. In it, for nearly forty
years, the squire worshipped, with his growing family about him. The
regularity of his attendance is shown by his account book, where
every collection is entered; and in spite of his frequent ridings on
public and private business, he never but once (till the close of
the book in 1688) missed the four yearly communions in his parish
church. On that occasion, when Easter Day, 1682, was spent at Hutton,
he attended a service at Grasmere on the previous Good Friday (held
possibly by his order), at which his Easter offering was given.
Given this day (being Good-Fryday) at ye Offertory in Gresmere
Church for myselfe 5s., for Will, Alice, Dan, Barbara & Mary 5s.
The sums given were invariable: 5s. for himself, 2s. 6d. for his wife
(while she lived), and 1s. for each child.[129]
[129] For the custom of Easter offerings, see Canon Simmons'
Notes to _The Lay Folks' Mass Book_, pp. 239-241.
It was in 1675 that the sad necessity rose of putting up a monument
to his excellent wife. The brass was apparently cut in London, for he
sent to his Uncle Newman there:--
3li 10s. 0d. towards ye paying for my late dear wifes Epitaphs
engraving in brass.
Though 2s. 6d. more was paid afterwards.
Unto Rich. Washington of Kendall for amending of my late Dear
Wifes Epitaph in brass.
Washington, who was entered in 1642 among the "Armerers Fremen and
Hardwaremen" of Kendal, and was mayor of the city in 1685,[130] was
wholly entrusted with the next family brass; for we find that under
date February 10th, 1682, he was paid "for ye Brass & the cutting
of ye Epitaph for my Mother and Uncle Jo. Kirkby, £4 10s 0d which
my brothers Roger & William are to pay me again." But this was for
Coniston Church.
[130] _Boke off Recorde of Kirkbie Kendal._
Public-domain text, read in full here on John Shaqi.
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