The Church of Sancta Sophia, Constantinople: A Study of Byzantine BuildingLethaby, W. R. (William Richard)
Religion
The Church of Sancta Sophia, Constantinople: A Study of Byzantine Building
Lethaby, W. R. (William Richard)
Ayasofya Müzesi
_Mortar and Cement._--The mortar used by the Byzantine builders
was called Keramotos, from the crushed pottery or tiles which was
used in its composition. In an article in the _Transactions_ of the
Philological Society of Constantinople M. Kouppas[346] enters fully
into the methods which have been traditionally followed in cistern
building, and describes this mortar as formed of powdered unslaked lime
(_asbestos_), crushed pottery, coarse sand, and tow or hair, fully a
third being lime, another third the crushed pottery, about a fifth the
coarse sand, and the rest or 10 per cent. of hair or tow. These were
then mixed together in water.
M. Kouppas also describes a hydraulic cement made of “coarse lime
(_titanos_) slaked by water into powder, sifted and laid in layers
with cotton shreds. This was thoroughly mixed, and then olive oil was
poured in, and the whole gradually brought to a homogeneous mass.”
Andreossy[347] describes a mixture (called _lukium_) made of a hundred
“ocques” of lime, freshly slaked in the form of powder, twenty-five
“ocques” of linseed oil of the best quality, and twenty drachms of
filaments of cotton. This was reduced to a dough, and then before using
fresh oil was added. Strzygowski[348] also speaks of a Turkish cement
“of six parts by weight linseed oil, eight parts slaked and powdered
lime, and one part of cotton.” He refers to a Roman mixture mentioned
by Pliny of “oil and quicklime.”
By far the best and earliest account of the methods used for obtaining
lime and making cement at Constantinople is contained in Dr. Covel’s
MS. in the British Museum (1670-7). The lime was burnt in a pit dug
in the ground, the stone, which was hard and black and like “Plymouth
stone,” being piled up in and above it like a beehive hut, an opening
being contrived in the side for inserting fuel, and a smaller pit
dug in the middle for the ashes; it was fired for three days. Then
he describes in detail how a cement was made which recalls what the
Anonymous says of the joints of the piers at S. Sophia being made of
unslaked lime (_asbestos_) and oil: “To make good lukium (a strong
cement as I may call it) they take the above said calx or burnt stone
and slake it with water, and so soon as it is moulded and turned into a
meal (even while it is warm) they work it with linseed oil and cotton
till it is well saturated and brought to the consistency of plaster,
and make present use of it, for it will not rest in its perfection
above one day or two at most, and if they use it immediately after it
is tempered it is certainly the best. In the works of their Bagnos so
soon as it is laid on [as a plastering, understood here] they let the
water come to it, which, by tempering the heat of the lime, hinders
it from cracking. Cotton is better to be mixed amongst it than hair,
it being more tenacious and apt to incorporate.” He again describes a
similar cement (“lukium, an excellent mortar”) used in some waterworks.
Public-domain text, read in full here on John Shaqi.
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