The Churches of Paris, from Clovis to Charles X — John Shaqi
The Churches of Paris, from Clovis to Charles XBeale, Sophia
History
The Churches of Paris, from Clovis to Charles X
Beale, Sophia
Church buildings -- France -- Paris; Paris (France) -- Buildings, structures, etc.
On the Good Fridays of each year the chapel scarcely sufficed to contain
the crowds of sick persons who flocked to it from all parts of the city.
All maladies were supposed to be curable through the virtues of the holy
relics, but specially that known formerly as _le mal caduc_. At midnight
the relic of the True Cross was exposed, and at the same moment the
chapel was filled by the most fearful shrieks of these poor epileptics.
The afflicted threw themselves about, foamed at the mouth, and fell into
convulsions, invoking the aid especially of S. John the Baptist and S.
Spire. The people were convinced every year that some wondrous miracle
had been wrought; but the abuses connected with this nocturnal
exposition were so great that, in 1781, Louis XVI. ordered it to be
discontinued. The relics now shown in the Treasury of Notre-Dame, and
exposed there during Holy Week, are said to be the veritable ones
belonging to the Sainte-Chapelle; but the account of their preservation
after the desecration of S. Denis is so miraculous (almost as much so as
the original finding of the True Cross by S. Helena) that it requires a
large amount of faith to believe in them. The reliquaries were of course
all melted up, even Alexandre Lenoir could not save them. Those at
Notre-Dame are quite modern, although somewhat of the same form.
Another custom peculiar to the chapel was the singing upon Christmas-day
of the hymn "_Noël_," in place of "_O Salutaris Hostia_." The former had
been originally a joy-song, welcoming the kings upon their entry into
Paris; and thus, when our Henry V. entered the capital in 1420, and
likewise Henry VI. in 1431, they were greeted with this exclamation.
[Illustration: INTERIOR OF THE RELIQUARY.]
Public-domain text, read in full here on John Shaqi.
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