The Churches of Paris, from Clovis to Charles XBeale, Sophia
History
The Churches of Paris, from Clovis to Charles X
Beale, Sophia
Church buildings -- France -- Paris; Paris (France) -- Buildings, structures, etc.
M. Viollet-le-Duc, in his "Dictionnaire Raisonné de l'Architecture,"
thus describes the building: "De la base au faîte, l'edifice est
entièrement construit en pierre dure de choix, connue sous le nom de
liais cliquart (Portland stone) chaque assise est cramponnée par des
agrafes de fer coulées en plomb, les tailles et la pose sont exécutées
avec une précision rare; la sculpture en est composée et ciselée avec un
soin particulier. Sur aucun point on ne peut constater ces négligences
qui ne sont que trop souvent le résultat de la précipitation." At page
401 of the above work is an explanation of the system of courses
employed by Pierre de Montereau--a manner of strengthening masonry which
was in use before this period (13th century), but which was improved
upon by the great architect of the Sainte-Chapelle. It is very similar
to the system now in use.
The only communication between the lower and upper chapels at the
present time is by means of the small turret staircase, but formerly the
upper church was approached by a wide exterior flight of forty-four
steps. It was reconstructed many times, and the last one, in the
Egyptian style, was dated 1811. The demolition of this is no loss; but
it seems a pity it should not have been replaced by one in better taste,
as the only approach to the upper chapel (except the turret stairs) is
through the corridors of the Palais de Justice.
The first thing that strikes the visitor upon entering is the enormous
size of the windows, which occupy the entire space between the
buttresses, and rise to the base of the roof. All the weight of the
vaulting rests, therefore, upon the exterior buttresses, but not the
slightest inflection has ever taken place. The church is built truly
east and west, the entrance to each chapel being by separate portals.
The only modification the exterior of the building has sustained since
S. Louis' time is the addition of a little oratory attributed to Louis
XI., and the rebuilding of a part of the _façade_ in the 15th century.
Public-domain text, read in full here on John Shaqi.
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