The Churches of Paris, from Clovis to Charles XBeale, Sophia
History
The Churches of Paris, from Clovis to Charles X
Beale, Sophia
Church buildings -- France -- Paris; Paris (France) -- Buildings, structures, etc.
The prelates and sovereigns who succeeded to these stormy days
endeavoured to restore Notre-Dame; but the ignorance which prevailed at
the commencement of the present century with regard to Gothic
architecture rather added to the destruction than mended it; and it was
not until the Christian art and Liberal Catholic revivals led by
Montalembert and his friends that a thorough and rational restoration of
the church was commenced by the eminent architects, Viollet-le-Duc and
Lassus.
The central portal is a mass of wonderful sculpture. The lower part of
the stylobate bears lozenge-shapen compartments enclosing roses and
lilies. Above this are the _Virtues and Vices_,[112] the former being
figures of women bearing their emblems; the latter, little scenes
describing each particular vice. It is interesting to see that the
Virtues should be portrayed as women, Guillaume Durand giving the reason
that they are men's nursing mothers; but Eve, having been supposed from
all time to have been man's temptress, how comes it that the Mediæval
sculptors exempted her and all other women from personifying the vice,
for example, of curiosity? Courage our first mother undoubtedly had, and
so this virtue on the front of Notre-Dame is represented by a woman with
a shield bearing a lion. Equally certain is it that Adam was mean and
cowardly, and so we find Cowardice painted as a man running away
terror-stricken from a harmless hare. Amongst the vicious we see Judas
in despair, an iniquitous Nero, an impious Mahomet, and a funny little
Nimroud throwing a javelin at the sun, symbolic of that great warrior's
attempt to build a high tower in order to attack Heaven itself.
Above the Virtues and Vices are the Twelve Apostles, placed over the
Virtue which in their lives they especially displayed. Nothing in these
sculptures was done without a purpose; thus S. Paul stands over Courage,
and S. Peter above Faith; indeed the whole doorway was designed to carry
out a particular idea, and to illustrate the main doctrines of Christ,
whose statue stands upon the central pier, giving the benediction to all
who enter.
[Illustration: ONE OF THE PINNACLES.]
Public-domain text, read in full here on John Shaqi.
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