The Circle: A Comedy in Three ActsMaugham, W. Somerset (William Somerset)
General
The Circle: A Comedy in Three Acts
Maugham, W. Somerset (William Somerset)
Adultery -- Drama; England -- Social life and customs -- Drama; Intergenerational relations -- Drama
LADY KITTY. My dear Clive, I don't mind telling you that if I had my
time over again I should be unfaithful to you, but I should not leave
you.
C.-C. For some years I was notoriously the prey of a secret sorrow.
But I found so many charming creatures who were anxious to console
that in the end it grew rather fatiguing. Out of regard to my health I
ceased to frequent the drawing-rooms of Mayfair.
LADY KITTY. And since then?
C.-C. Since then I have allowed myself the luxury of assisting
financially a succession of dear little things, in a somewhat humble
sphere, between the ages of twenty and twenty-five.
LADY KITTY. I cannot understand the infatuation of men for young
girls. I think they're so dull.
C.-C. It's a matter of taste. I love old wine, old friends and old
books, but I like young women. On their twenty-fifth birthday I give
them a diamond ring and tell them they must no longer waste their
youth and beauty on an old fogey like me. We have a most affecting
scene, my technique on these occasions is perfect, and then I start
all over again.
LADY KITTY. You're a wicked old man, Clive.
C.-C. That's what I told you. But, by George! I'm a happy one.
LADY KITTY. There's only one course open to me now.
C.-C. What is that?
LADY KITTY. [_With a flashing smile._] To go and dress for dinner.
C.-C. Capital. I will follow your example.
[_As LADY KITTY goes out ELIZABETH comes in._
ELIZABETH. Where is Arnold?
C.-C. He's on the terrace. I'll call him.
ELIZABETH. Don't bother.
C.-C. I was just strolling along to my cottage to put on a dinner
jacket. [_As he goes out._] Arnold.
[_Exit C.-C._
ARNOLD. Hulloa! [_He comes in._] Oh, Elizabeth, I've found an
illustration here of a chair which is almost identical with mine. It's
dated 1750. Look!
ELIZABETH. That's very interesting.
ARNOLD. I want to show it to Porteous. [_Moving a chair which has been
misplaced._] You know, it does exasperate me the way people will not
leave things alone. I no sooner put a thing in its place than somebody
moves it.
ELIZABETH. It must be maddening for you.
ARNOLD. It is. You are the worst offender. I can't think why you don't
take the pride that I do in the house. After all, it's one of the show
places in the county.
ELIZABETH. I'm afraid you find me very unsatisfactory.
ARNOLD. [_Good-humouredly._] I don't know about that. But my two
subjects are politics and decoration. I should be a perfect fool if I
didn't see that you don't care two straws about either.
ELIZABETH. We haven't very much in common, Arnold, have we?
ARNOLD. I don't think you can blame me for that.
ELIZABETH. I don't. I blame you for nothing. I have no fault to find
with you.
ARNOLD. [_Surprised at her significant tone._] Good gracious me!
what's the meaning of all this?
ELIZABETH. Well, I don't think there's any object in beating about the
bush. I want you to let me go.
ARNOLD. Go where?
ELIZABETH. Away. For always.
ARNOLD. My dear child, what _are_ you talking about?
Public-domain text, read in full here on John Shaqi.
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